Virginia Opera 2018-19

Virginia Opera will open its 2018-29 season with “Street Scene,” the rarely staged hybrid of opera and American musical theater by Kurt Weill.

Based on the play by Elmer Rice, with a libretto by Langston Hughes, “Street Scene” ran on Broadway from January to May 1947, earning Weill the first Tony Award for best original score. It was revived by New York City Opera several times, but has been performed only intermittently elsewhere.

Adam Turner, Virginia Opera’s principal conductor and artistic advisor, who was the inaugural recipient of the Julius Redel/Kurt Weill Conducting Fellowship in 2015, will lead performances of “Street Scene,” with stage direction by Dorothy Danner.

Performances, in English with projected captions, are scheduled for Sept. 28 and 30 and Oct. 2 at Harrison Opera House in Norfolk, Oct. 6 and 7 at George Mason University’s Center for the Arts in Fairfax, and Oct. 12 and 14 at the Carpenter Theatre of Dominion Energy Center in Richmond.

Other 2018-19 productions, all conducted by Turner:

– Mozart’s “Don Giovanni,” directed by Lillian Groag, in Italian with English captions, Nov. 2, 4 and 6 in Norfolk; Nov. 10 and 11 in Fairfax; Nov. 16 and 18 in Richmond.

– Donizetti’s “The Elixir of Love,” directed by Kyle Lang, in Italian with English captions, Feb. 8, 10 and 12 in Norfolk; Feb. 16 and 17 in Fairfax; Feb. 22 and 24 in Richmond.

– Puccini’s “Madame Butterfly,” directed by Richard Gammon, in Italian with English captions, March 15, 17 and 19 in Norfolk; March 23 and 24 in Fairfax; March 29 and 31 in Richmond.

Casting for the productions will be announced later.

For ticket-subscription information, call (757) 627-9545 in Hampton Roads, (804) 644-8168 in central and northern Virginia; or visit http://vaopera.org

March calendar

Classical performances in and around Richmond, with selected events elsewhere in Virginia and the Washington area. Program information, provided by presenters, is updated as details become available. Adult single-ticket prices are listed; senior, student/youth, group and other discounts may be offered.

In and around Richmond: Harpsichordist Carsten Schmidt plays three partitas by Bach in a Chamber Music Society of Central Virginia-sponsored recital, March 4 at Second Presbyterian Church. . . . The Ace Ensemble plays music for winds and strings by Nino Rota and David Bruce, March 4 at Unity of Bon Air. . . . Organist Katelyn Emerson plays works of Bach, Rheinberger, Dupré, Horatio Parker and others in an American Guild of Organists-sponsored program, March 9 at River Road Church, Baptist. . . . Danail Rachev, guest conducting the Richmond Symphony, discusses and leads Mussorgsky’s “Pictures at an Exhibition” in a Casual Fridays program on March 9, and a program of Mussorgsky, Britten and Ravel, with pianist Ian Parker, on March 10, both at the Carpenter Theatre of Dominion Energy Center. . . . Eleven organists from Richmond and beyond perform in American Guild of Organists’ eighth annual Bach Marathon, March 11 at Bethlehem Lutheran Church. . . . Violinist Jaime Laredo and cellist Sharon Robinson play works by Handel, Mozart, Kodály and others in the season’s final Rennolds Chamber Concerts program, March 17 at Virginia Commonwealth University’s Singleton Arts Center. (Pianist Joseph Kalichstein, the member of the trio named for himself and the string players, withdrew from the engagement because of injury.) . . . The Jerusalem Quartets plays Mozart, Janáček and Beethoven, March 21 at the University of Richmond Modlin Arts Center (following a March 20 performance of the same program at the University of Virginia’s Old Cabell Hall in Charlottesville). . . . Eighth Blackbird, joined by composer-fiddler Dan Trueman and singer Iarla Ó Lionáird, presents the music-theater piece “Olagón: a Cantata in Doublespeak,” March 23 at UR’s Modlin Center. . . . Bruce Stevens surveys “The Organ Legacy of Leipzig,” March 25 at UR’s Cannon Memorial Chapel.

Noteworthy elsewhere: Washington National Opera stages Verdi’s “Don Carlo” in seven performances from March 3 to 17 at the Kennedy Center. . . . Yannick Nézet-Séguin conducts the Philadelphia Orchestra in Shostakovich’s Seventh (“Leningrad”) Symphony, March 6 at the Music Center at Strathmore in the Maryland suburbs of DC. . . . The National Symphony Orchestra and its new music director, Gianandrea Noseda, give a rare performance of John Adams’ “The Gospel According to the Other Mary,” March 8 and 10 at the Kennedy Center. . . . Yefim Bronfman plays Brahms’ Piano Concerto No. 2 with Noseda and the National Symphony, on a program with dance works of Brahms, Dvořák, Kodály and Richard Strauss, March 15, 17 and 18 at the Kennedy Center. . . . Ute Lemper, the great German chanteuse, is joined by the Vogler String Quartet in “Paris Days, Berlin Nights,” March 16 at the Kennedy Center. . . . The National Symphony Orchestra of Cuba is joined by pianist Yekwon Sunwoo in a program of Beethoven, Grieg, Tchaikovsky, Falla and Amadeo Roldán, March 21 at the Moss Arts Center of Virginia Tech in Blacksburg. . . . Noseda conducts the National Symphony, soloists and choruses in Verdi’s Requiem, March 22-24 at the Kennedy Center. . . . Virginia Opera opens its final production of the season, Donizetti’s “Lucia di Lammermoor,” March 23, 25 and 27 at Harrison Opera House in Norfolk (with performances in April in Fairfax and Richmond).

March 1 (7 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Acenue at Harrison Street, Richmond
Yingnang Liu, piano
program TBA
master class at 5 p.m. March 1, room B-40, Singleton Arts Center
free
(804) 828-6776
http://arts.vcu.edu/music

March 1 (8 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Avenue at Harrison Street, Richmond
VCU Symphony
Daniel Myssyk conducting
Respighi: “The Pines of Rome”
Ravel: “La Valse”
Bruch: Violin Concerto No. 1 in G minor – I: Introduction: Allegro moderato
Stacey Sharpe, violin
$10
(804) 828-6776
http://arts.vcu.edu/music

March 1 (7 p.m.)
March 2 (8 p.m.)
March 3 (8 p.m.)
Kennedy Center Cincert Hall, Washington
National Symphony Orchestra
Donald Runnicles conducting
Mahler: Symphony No. 10 (Deryck Cooke edition)
$15-$89
(800) 444-1324
http://www.kennedy-center.org

March 1 (8 p.m.)
Coolidge Auditorium, Library of Congress, East Capitol Street at First Street NE, Washington
Quatuor Diotima
Szymanowski: Quartet No. 2, Op. 56
Rebecca Saunders: new work TBA
Schubert: Quartet in G major, D. 887
free; tickets required via http://www.eventbrite.com
(202) 707-5502
http://www.loc.gov/concerts

March 3 (7 p.m.)
March 5 (7 p.m.)
March 8 (7:30 p.m.)
March 11 (2 p.m.)
March 14 (7:30 p.m.)
March 16 (7:30 p.m.)
March 17 (7 p.m.)
Kennedy Center Opera House, Washington
Washington National Opera
Philippe Augin conducting
Verdi: “Don Carlo”
Russell Thomas/Rafael Davila (Don Carlo)
Leah Crocetto/Melody Moore (Elisabeth of Valois)
Jamie Barton/Daryl Freedman (Princess Eboli)
Quinn Kelsey/Troy Cook (Rodrigo)
Eric Owens/Peter Volpe (Philip II)
Andrea Silvestrelli (Grand Inquisitor)
Tim Abbey, stage director
in Italian, English captions
$45-$300
(800) 444-1324
http://www.kennedy-center.org

March 4 (4 p.m.)
Second Presbyterian Church Chapel, 5 N. Fifth St., Richmond
Chamber Music Society of Central Virginia:
Carsten Schmidt, harpsichord
J.S. Bach: Partita No. 1 in B flat major, BWV 825
J.S. Bach: Partita No. 2 in C minor, BWV 826
J.S. Bach: Partita No. 4 in D major, BWV 828
$28
(804) 304-6312
http://cmscva.org

March 4 (4 p.m.)
Unity of Bon Air, 923 Buford Road, Richmond
Ace Ensemble
Nino Rota: Nonetto for winds and strings
David Bruce: “Steampunk”
free
(804) 320-5584
http://www.acensemble.org

March 4 (3:30 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
Virginia Consort Festival Chorus & Orchestra
Judith Gary conducting
Vivaldi: “Beautus vir”
Morten Lauridsen: “Lux aeterna”
$35
(434) 244-8444
http://virginiaconsort.org

March 4 (7 p.m.)
Center for the Arts, George Mason University, Fairfax
Jeffrey Siegel, piano
“Keyboard Conversations: Virtuoso Variations”
Beethoven: “Variations on ‘God Save the King’ ”
Mendelssohn: Variations, Op. 54
Chopin: “Variations on ‘La ci darem la mano’ from Mozart’s ‘Don Giovanni’ ”
$25-$42
(888) 945-2468 (Tickets.com)
http://cfa.gmu.edu

March 4 (3 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Annapolis Symphony Orchestra
José-Luis Novo conducting
Xavier Montsalvage: “Sortilegis”
Rodrigo: “Concierto de Aranjuez”
Manuel Barrueco, guitar
Debussy: “Images” – “Ibéria”
Respighi: “The Pines of Rome”
$10-$30
(301) 581-5100
http://www.strathmore.org

March 5 (7:30 p.m.)
Chrysler Museum of Art, 1 Memorial Place, Norfolk
Weiss-Kaplan-Stumpf Trio
Fauré: Piano Trio in D minor, Op. 120
Mendelssohn: Piano Trio in C minor, Op. 66
Schubert: Piano Trio in B flat major, D. 898
$30
(757) 552-1630
http://www.feldmanchambermusic.org

March 6 (8 p.m.)
Williamsburg Library Theatre, 515 Scotland St.
Chamber Music Society of Williamsburg:
Weiss-Kaplan-Stumpf Trio
Fauré: Piano Trio in D minor, Op. 120
Mendelssohn: Piano Trio in C minor, Op. 66
Schubert: Piano Trio in B flat major, D. 898
$15 (waiting list)
(757) 258-8555
http://chambermusicwilliamsburg.org

March 6 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Philadelphia Orchestra
Yannick Nézet-Séguin conducting
Shostakovich: Symphony No. 7 (“Leningrad”)
$40-$110
(202) 785-9727 (Washington Performing Arts)
http://washingtonperformingarts.org

March 7 (7:30 p.m.)
Camp Concert Hall, Modlin Arts Center, University of Richmond
Ensemble Arte
works TBA by Schubert, Massenet, Brahms, Franck, Rachmaninoff, Bernstein
free
(804) 289-8980
http://modlin.richmond.edu

March 7 (1 p.m.)
St. Bede Catholic Church, 3686 Ironbound Road, Williamsburg
Chris Tortorice, organ
Léon Boëllmann: “Suite Gothique”
free
(757) 229-3631
http://bedeva.org

March 8 (7 p.m.)
March 10 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Gianandrra Noseda conducting
John Adams: “The Gospel According to the Other Mary”
Kelley O’Connor & Tamara Mumford, mezzo-sopranos
Zach Borichevsky, tenor
Daniel Bubeck, Brian Cummings & Nathan Medley, countertenors
University of Maryland Concert Choir
$15-$89
(800) 444-1324
http://www.kennedy-center.org

March 9 (6:30 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony
Danail Rachev conducting and speaking
“Casual Fridays: Mussorgsky’s ‘Pictures at an Exhibition’ ”
$15-$50
(800) 514-3849 (ETIX)
http://www.richmondsymphony.com

March 9 (7:30 p.m.)
River Road Church, Baptist, River and Ridge roads, Richmond
American Guild of Organists’ Repertoire Recital Series:
Katelyn Emerson, organ
Joseph Rheinberger: Sonata No. 8 in E minor, Op. 132 – I. Introduction and Fugue
Edward Bairstow: “Meditation”
J.S. Bach: “Aus tiefer Not schrei’ ich zu dir,” BWV 686
Horatio Parker: Sonata in E flat major, Op. 65 – III. Allegretto
Rheinberger: Sonata No. 8 in E minor, Op. 132 – IV. Passacaglia
Georg Muffat: Toccata septima
Alexandre-Pierre- François Boëly: Andante con moto, Op. 18, No. 1
Marcel Dupré: Symphony No. 2, Op. 26 – I. Preludio: Allegro animato
Jean Langlais: Triptyque – Trio
Jehan Alain: “Variations sur un thème de Clément Janequin”
Rachel Laurin: “Étude héroïque,” Op. 38
donation requested
(804) 288-1131
http://richmondago.org

March 9 (8 p.m.)
Ferguson Arts Center, Christopher Newport University, Newport News
March 10 (8 p.m.)
Wilder Arts Center, Norfolk State University, 700 Park Ave.
March 11 (2:30 p.m.)
Sandler Arts Center, 201 S. Market St., Virginia Beach
Virginia Symphony Orchestra
Eric Jacobsen conducting
Barber: Adagio for strings
Philip Glass: “Concerto Fantasy”
Michael Laubach & Robert Cross, timpani
Rimsky-Korsakov: “Scheherazade”
$25-$76
(757) 892-6366
http://virginiasymphony.org

March 9 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Renée Fleming VOICES:
Laura Benanti & Linda Benanti, vocalists
“The Story Goes On”
$69-$99
(800) 444-1324
http://www.kennedy-center.org

March 9 (8 p.m.)
Kennedy Center Concert Hall, Washington
Direct Current:
Philip Glass, Jason Moran, Aaron Diehl, Devonté Harris & Jenny Lin, piano
Glass: 20 études
$29-$89
(800) 444-1324
http://www.kennedy-center.org

March 10 (2 p.m.)
Gellman Room, Richmond Public Library, First and Franklin streets
Mauro Correa, Bruno Alcalde & Kevin Harding, guitars
Brazilian chamber works TBA
free
(804) 646-7223
http://rvalibrary.org

March 10 (8 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony
Danail Rachev conducting
Britten: “Sinfonia da Requiem”
Ravel: Piano Concerto in G major
Ian Parker, piano
Mussorgsky-Ravel: “Pictures at an Exhibition”
$10-$80
(800) 514-3849 (ETIX)
http://www.richmondsymphony.com

March 10 (7:30 p.m.)
Berglund Performing Arts Theatre, Orange Avenue at Williamson Road, Roanoke
Roanoke Symphony
David Stewart Wiley conducting
Haydn: “The Creation”
soloists TBA
Roanoke Symphony Chorus
guest choruses TBA
$29-$53
(540) 343-9127
http://www.rso.com

March 10 (8 p.m.)
Center for the Arts, George Mason University, Fairfax
Fairfax Symphony Orchestra
Christopher Zimmerman & Paul Leavitt conducting
Leavitt: “Ose Shalom”
Prokofiev: Violin Concerto No. 2 in G minor
Ilya Kaler, violin
Mozart: Requiem
Danielle Talamantes, soprano
Alexandra Christoforakis, mezzo-soprano
William Hite, tenor
Kerry Wilkerson, baritone
Fairfax Choral Arts Society
Music & Arts Chorus
$39-$65
(888) 945-2468 (Tickets.com)
http://www.fairfaxsymphony.org

March 10 (2 p.m.)
Terrace Threater, Kennedy Center, Washington
David Fung, piano
Ravel-Fung: “La Valse”
Scarlatti-Samuel Carl Adams: sonatas
Schubert: “Wanderer” Fantasy, D. 760
Mozart: Sonata in B flat major, K. 570
Rachmaninoff: preludes, Op. 32, Nos. 10, 8
$45
(202) 785-9727 (Washington Performing Arts)
http://www.kennedy-center.org

March 11 (2-5 p.m.)
Bethlehem Lutheran Church, Grace and Ryland streets, Richmond
Richmond chapter, American Guild of Organists:
Bruce Stevens, Robert Gallagher, Scott Hayes, Christopher Reynolds, Aaron Renninger, Cheryl Van Ornam, Thomas Lee Bailey, Joel Kumro, Ted Bickish, Daniel Stipe & Grant Hellmers, organ
Bach Marathon
works TBA by J.S. Bach
free
(804) 353-4413
http://richmondago.org

March 11 (2 p.m.)
Center for the Arts, George Mason University, Fairfax
Russian String Orchestra
Misha Rachlevsky conducting
Richard Strauss: Serenade, Op. 7
Bekmambetov: “For Misha’s Gang – Suite for small, regular, large and extra-large fiddles”
Schnauber: “in Memory of Henri Temianka”
Mendelssohn: Octet in E flat major, Op. 20
$30-$50
(888) 945-2468 (Tickets.com)
http://cfa.gmu.edu

March 11 (7:30 p.m.)
Kennedy Center Atrium, Washington
Mason Bates’ KC Jukebox:
So Percussion
Choral Arts Society of Washington
Nathaniel Stookey, composer-performer
Scott Hansen, guitar & synthesizers
Michael Hey, organ
Aaron Goldman, flute
“California Mystics”
Lou Harrison: Flute Concerto (excerpts)
Steve Reich: “Drumming” – 1st movement
Bates: “Mass Transmission”
Harrison: “Mass to Saint Anthony” – Kyrie
Stookey: “Junkestra”
Hansen: “Tycho’s Anthology” (excerpts)
$25
(800) 444-1324
http://www.kennedy-center.org

March 14 (7:30 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Acenue at Harrison Street, Richmond
Susanna Klein & Laura Roelofs, violins
program TBA
free
(804) 828-6776
http://arts.vcu.edu/music

March 15 (7 p.m.)
March 17 (8 p.m.)
March 18 (3 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Gianandrea Noseda conducting
Brahms: Piano Concerto No. 2 in B flat major
Yefim Bronfman, piano
Brahms: Hungarian dances (selections)
Kodály: “Dances of Galanta”
Dvořák: Slavonic dances (selections)
Richard Strauss: “Salome” – “Dance of the Seven Veils”
$15-$89
(800) 444-1324
http://www.kennedy-center.org

March 15 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Young Concert Artists:
Anthony Trionfo, flute
pianist TBA
Fauré: Fantasy in E minor, Op. 79
J.S. Bach: Partita in A minor, BWV 1013
Lowell Liebermann: Sonata for flute and piano, Op. 23
Katherine Balch: new work TBA
Ian Clarke: “Zoom Tuba”
André Jolivet: “Chant de Linos”
$45
(800) 444-1324
http://www.kennedy-center.org

March 15 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Baltimore Symphony Orchestra
Lahav Shani conducting
Prokofiev: Piano Concerto No. 2
Nikolai Lugansky, piano
Schubert: Symphony No. 9 in C major (“Great”)
$35-$99
(877) 276-1444 (Baltimore Symphony box office)
http://www.strathmore.org

March 16 (8 p.m.)
Eisenhower Theater, Kennedy Center, Washington
Renée Fleming VOICES;
Ute Lemper, vocalist
Vogler String Quartet
“Paris Days, Berlin Nights”
$39-$79
(800) 444-1324
http://www.kennedy-center.org

March 17 (11 a.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony LolliPops
Chia-Hsuan Lin conducting
Really Inventive Stuff’s Michael Boudewyns, guest star
Prokofiev: “Peter and the Wolf”
$10-$20
(800) 514-3849 (ETIX)
http://www.richmondsymphony.com

March 17 (8 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Acenue at Harrison Street, Richmond
Rennolds Chamber Concerts:
Jaime Laredo, violin
Sharon Robinson, cello
Handel-Halvorsen: Passacaglia
Richard Danielpour: “Inventions on a Marriage” (2010)
Erwin Schulhoff: Duo (1925)
Mozart: Duo in G major, K. 423
Kodály: Duo, Op. 7
$35
(804) 828-6776
http://arts.vcu.edu/music

March 17 (4 p.m.)
First Presbyterian Church, 500 Park St., Charlottesville
Oratorio Society of Virginia
University Singers
Zion Union Baptist Church Adult Choir
Michael Slon directing
Bernstein: “Chichester Psalms”
African-American spirituals TBA
$15
(434) 295-4385
http://www.oratoriosociety.org

March 17 (8 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
New Chicago Brass
program TBA
free
(434) 924-3052
http://music.virginia.edu/events

March 17 (8 p.m.)
March 18 (3 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
National Philharmonic
Piotr Gajewski conducting
Brahms: Violin Concerto in D major
Melissa White, violin
Brahms: Symphony No. 4 in E minor
$30-$76
(301) 581-5300
http://www.strathmore.org

March 18 (4 and 6:30 p.m.)
Lewis Ginter Botannical Garden, 1600 Lakeside Ave., Richmond
Richmond Choral Society
Markus Compton directing
City Singers Youth Choirs
Leslie Moruza Dripps directing
Keith Tan, piano
“In Nature and Song”
program TBA
$15 in advance, $18 at door
(804) 353-9582
http://www.richmondchoralsociety.org

March 18 (3:30 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
UVa Chamber Music Series:
Albemarle Ensemble
Franz Danzi: Wind Quintet, Op. 56, No. 2
Nino Rota: “Petite Offrande Musicale”
John Harbison: Woodwind Quintet
Eric Ewazen: “Mosaics” for flute, bassoon and marimba
Gaudencio Thiago’ de Mello: “A Hug for Pixinga”
$15
(434) 924-3052
http://music.virginia.edu/events

March 20 (7:30 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
Tuesday Evening Concerts:
Jerusalem Quartet
Mozart: Quartet in B flat major, K. 458 (“Hunt”)
Janáček: Quartet No. 1 (“Kreutzer Sonata”)
Beethoven: Quartet in F major, Op. 135
$12-$39
(434) 924-3376
http://tecs.org

March 20 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washingyon
Vocal Arts DC:
Theo Hoffman, baritone
Bradley Moore, piano
works TBA by Schubert, Fauré, Mahler, Zemlinsky, Barber, Ives, others
$50
(800) 444-1324
http://www.kennedy-center.org

March 21 (7:30 p.m.)
Camp Concert Hall, Modlin Arts Center, University of Richmond
Jerusalem Quartet
Mozart: Quartet in B flat major, K. 458 (“Hunt”)
Janáček: Quartet No. 1 (“Kreutzer Sonata”)
Beethoven: Quartet in F major, Op. 135
$36
(804) 289-8980
http://modlin.richmond.edu

March 21 (7:30 p.m.)
Moss Arts Center, Virginia Tech, 190 Alumni Mall, Blacksburg
National Symphony Orchestra of Cuba
Enrique Pérez-Mesa conducting
Tchaikovsky: “1812 Overture”
Amadeo Roldán: “Three Poems”
Grieg: Piano Concerto in A minor
Yekwon Sunwoo, piano
Falla: “The Three-Cornered Hat”
Beethoven: Symphony No. 7 in A major
$40-$75
(540) 231-5300
http://artscenter.vt.edu

March 21 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Fortas Chamber Music Series:
Takács Quartet
Mozart: Quartet in G major, K. 387
Shostakovich: Quartet No. 11 in F minor
Beethoven: Quartet in C sharp minor, Op. 131
$55
(800) 444-1324
http://www.kennedy-center.org

March 22 (7 p.m.)
March 23 (8 p.m.)
March 24 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Gianandrea Noseda conducting
Verdi: Requiem
Leah Crocetto, soprano
Russell Thomas, tenor
Eric Owens, bass-baritone
Choral Arts Society of Washington
The Washington Chorus
$15-$109
(800) 444-1324
http://www.kennedy-center.org

March 22 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Boris Berezovsky, piano
Prokofiev: Sonata No. 8
Scriabin: Sonata No. 5 in F sharp major, Op. 53
Scriabin: études
Rachmaninoff: Sonata No. 2 in B flat minor, Op. 36
$60 (waiting list)
(202) 785-9727 (Washington Performing Arts)
http://www.kennedy-center.org

March 23 (7:30 p.m.)
Jepson Theatre, Modlin Arts Center, University of Richmond
Eighth Blackbird
Dan Trueman, composer-fiddler
Iarla Ó Lionáird, vocalist
Trueman, Ó Lionáird & Paul Muldoon: “Olagón: a Cantata in Doublespeak”
in English and Irish
$28
(804) 289-8980
http://modlin.richmond.edu

March 23 (8 p.m.)
Crosswalk Community Church, 7575 Richmond Road, Williamsburg
Virginia Symphony Orchestra
Benjamin Rous conducting
Mozart: “Don Giovanni” Overture
Walton: Viola Concerto
Andrew Gonzalez, viola
Mozart: Symphony No. 35 in D major, K. 385 (“Haffner”)
$25-$65
(757) 892-6366
http://virginiasymphony.org

March 23 (8 p.m.)
March 25 (2:30 p.m.)
March 27 (7:30 p.m.)
Harrison Opera House, 160 E. Virginia Beach Boulevard, Norfolk
Virginia Opera
Ari Pelto conducting
Donizetti: “Lucia di Lammermoor”
Rachele Gilmore (Lucia)
Joseph Dennis (Edgardo)
Tim Mix (Edgardo)
Richard Ollarsaba (Raimondo)
Melisa Bonetti (Alisa)
Bille Bruley (Arturo)
Stephen Carroll (Normanno)
Kyle Lang, stage director
in Italian, English captions
$31.82-$109.09
(866) 673-7282
http://vaopera.org

March 24 (8 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony Pops
Chia-Hsuan Lin conducting
Motortown All Stars, guest stars
“Motown’s Greatest Hits”
$10-$80
(800) 514-3849 (ETIX)
http://www.richmondsymphony.com

March 24 (8 p.m.)
Chrysler Hall, 215 St. Paul’s Boulevard, Norfolk
Virginia Symphony Orchestra Pops
Benjamin Rous conducting
“The Music of John Williams”
$25-$100
(757) 892-6366
http://virginiasymphony.org

March 24 (8 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
March 25 (3:30 p.m.)
Martin Luther King Jr. Performing Arts Center, Charlottesville High School, 1400 Melbourne Road
Charlottesville Symphony
Laura Jackson conducting
Tchaikovsky: “Swan Lake” Suite
Rachmaninoff: “Rhapsody on a Theme of Paganini”
Clara Yang, piano
Christopher Theofanidis: “Rainbow Body”
Copland: “Billy the Kid” Suite
$8-$45
(434) 924-3376
http://www.cvillesymphony.org

March 24 (2 p.m.)
Terrace Theater, Kennedy Center, Washington
Roman Rabinovich, piano
Haydn: Sonata in E flat major, Hob. XVI:45
Rabinovich: “Memory Box”
Rachmaninoff: “Variations on a Theme of Corelli,” Op. 42
Chopin: 4 ballades
$45
(202) 785-9727 (Washington Performing Arts)
http://www.kennedy-center.org

March 24 (8 p.m.)
Coolidge Auditorium, Library of Congress, East Capitol Street at First Street NE, Washington
Colin Currie, percussion
Nicholas Hodges, piano
Karlheinz Stockhausen: Work No. 4 – Klavierstück V
Harrison Birtwistle: “Variations from The Golden Mountain”
Morton Feldman: “The King of Denmark”
Birtwistle: Intrada for piano and percussion
Stockhausen: “Kontakte,” Work No. 12½
free; tickets required via http://www.eventbrite.com
(202) 707-5502
http://www.loc.gov/concerts

March 24 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Baltimore Symphony Orchestra
Peter Oundjian conducting
Rachmaninoff: “The Isle of the Dead”
Weber: Clarinet Concerto No. 2 in E flat major
YaoGuang Zhai, clarinet
Tchaikovsky: Symphony No. 2 in C minor (“Little Russian”)
$35-$99
(877) 276-1444 (Baltimore Symphony box office)
http://www.strathmore.org

March 25 (3 p.m.)
Camp Concert Hall, Modlin Arts Center, University of Richmond
Richard Becker and Doris Wylee-Becker, pianos
program TBA
free
(804) 289-8980
http://modlin.richmond.edu

March 25 (2 p.m.)
Terrace Theater, Kennedy Center, Washington
Kennedy Center Chamber Players
Beethoven: “Duo with Two Obbligato Eyeglasses,” WoO 32, for viola and cello
Mozart: String Quintet in G minor, K. 516
Franck: Piano Quintet in F minor
$36
(800) 444-1324
http://www.kennedy-center.org

March 26 (7:30 p.m.)
Cannon Memorial Chapel, University of Richmond
Bruce Stevens, organ
“The Organ Legacy of Leipzig”
Niels W. Gade: “Three Tone-Pieces for Organ” – Moderato
Reger: “Six Trios for Organ” – Scherzo, Siciliano
Hugo Distler: “Four Pieces for Small Organ”
Schumann: “Two Pieces in Canonic Form”
Brahms: 2 chorale preludes
Mendelssohn: Allegro, Chorale and Fugue in D minor
Johann Gottfried Walther: Concerto in B minor (after Vivaldi)
Johann Ludwig Krebs: “Fantasia in Correct Italian Style”
J.S. Bach: Fantasia and Fugue in G minor, BWV 542
free
(804) 289-8980
http://modlin.richmond.edu

March 28 (8 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
UVa Chamber Music Series:
I-Jen Fang, percussion
Joanna Beaver, viola
Julianna Lee & Mark Panetti, percussion
Kelly Sulick, flute
Lou Harrison: “Ariadne” for flute and percussion
John Cage: “Child of Tree” for percussion and amplified plant materials
Zae Munn: “Start Dancing” for viola and percussion
Mark Panetti: “To Live to Be Free”
$15
(434) 924-3376
http://music.virginia.edu/events

March 30 (9 p.m.)
Coolidge Auditorium, Library of Congress, East Capitol Street at First Street NE, Washington
Spektral Quartet
Winston Choi, piano
John Zorn: “Le Mómo”
Wadada Leo Smiith: Quartet No. 9
George Lewis: “String Quartet 1.5: Experiments in Living”
free; tickets required via http://www.eventbrite.com
(202) 707-5502
http://www.loc.gov/concerts

March 31 (2 p.m.)
Gellman Room, Richmond Public Library, First and Franklin streets
Capitol Opera Richmond
Richard L. Rose: “Strike the Rock” (excerpts)
Richard L. Rose: “Monty and Pinky” (excerpts)
free
(804) 646-7223
http://rvalibrary.org

March 31 (2 p.m.)
Coolidge Auditorium, Library of Congress, East Capitol Street at First Street NE, Washington
Spektral Quartet
Winston Choi, piano
Milton Babbitt: “The Joy of More Sextets”
Schoenberg: Quartet No. 3, Op. 30
Babbitt: “An Encore” for violin and piano
Schoenberg: Quartet No. 1, Op. 7
free; tickets required via http://www.eventbrite.com
(202) 707-5502
http://www.loc.gov/concerts

Letter V Classical Radio Feb. 28

noon-3 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

Chopin: “Rondo à la krakowiak” in F major, Op. 14
Jan Lisiecki, piano
NDR Elbphilharmonie/Krzysztof Urbański
(Deutsche Grammophon)

Past Masters:
J.S. Bach: Sonata in G major, BWV 1027
Janos Starker, cello
György Sebok, piano
(Mercury)
(recorded 1965)

Karol Szymanowski: Sonata No. 2 in A major, Op. 21
Lucas Debargue, piano
(Sony Classical)

Nielsen: “Pan and Syrinx”
Danish National Symphony Orchestra/Thomas Dausgaard
(Dacapo)

Ravel: Quartet in F major
Ebène Quartet
(Erato)

Janáček: “The Cunning Little Vixen” Suite
(arrangement by Václav Talich)
Czech Philharmonic/František Jílek
(Supraphon)

Richard Strauss: Burleske in D minor
Martha Argerich, piano
Berlin Philharmonic/Claudio Abbado
(Sony Classical)

Beethoven: Symphony No. 7 in A major
New York Philharmonic/Jaap van Zweden
(Decca Gold)

You get what you pay for (or not)

Years ago, I got ferocious reader backlash after observing in a review of a recital by cellist Yo-Yo Ma and pianist Emanuel Ax that the audience seemed more enthusiastic about being in the same room as the artists than intent on hearing the Brahms sonatas they were playing.

Robert Battey may be in for the same kind of feedback after his review for The Washington Post of Ma, Ax and violinist Leonidas Kavakos, playing trios of Schubert and Brahms at the Kennedy Center, especially as Battey compared their performance unfavorably with that of the far less well-known Vienna Piano Trio, playing Brahms, Haydn and Schoenberg at the Library of Congress:

http://www.washingtonpost.com/entertainment/music/glamour-trio-ax-kavakos-and-yo-yo-ma-produce-thunder-at-kennedy-center/2018/02/25/7fc68c16-1a4f-11e8-9de1-147dd2df3829_story.html

There are fans and there are listeners, and while there is some overlap, those constituencies and their motivations are quite distinct. So, in these cases, were their investments: The Ma-Kavakos-Ax concert commanded ticket prices of $75 to $300; tickets for Library of Congress concerts are rather laborious to acquire, but free if you can get them.

Reviewers generally get complimentary tickets. Battey’s readers paid, either with money or with time and effort. In DC over the weekend, it appears that time and effort trumped money, at least for listeners.

Review: Chamber Music Society

Nurit Pacht, violin
Khari Joyner, cello
Philip Bush, piano
Feb. 25, University of Richmond

The Chamber Music Society of Central Virginia paired Beethoven and Ravel in two weekend performances. A seeming odd couple: The colossus of Viennese classicism and the master of French impressionist tone painting.

Not so odd, in fact, in the second of the weekend’s performances, featuring Beethoven’s “Archduke” Piano Trio in B flat major, Op. 97, and Ravel’s Piano Trio, works that were written exactly a century apart (the Beethoven in 1814, the Ravel in 1914) and that encapsulated the musical languages and sensibilities of their creators.

This program, presented at the University of Richmond’s Perkinson Recital Hall, featured artists known for their versatility. Substituting for Areta Zhulla, who canceled her Richmond gig after being named the new first violinist of the Juilliard String Quartet, violinist Nurit Pacht came packing a modern violin after playing a period instrument in baroque concerts by the Chamber Music Society in December.  Pacht was joined by Khari Joyner, a young cellist whose career overlaps classical music and jazz, and Philip Bush, a veteran pianist as well-known for working in contemporary music (with Steve Reich for two decades) as for playing traditional chamber repertory.

Those biographies promised fresh perspectives on familiar scores, and the trio consistently delivered in performances of keen rhythmic acuity, fine tonal balances and attention to often-overlooked sonic and stylistic details.

On the balance front, Bush was remarkably successful in projecting prominent parts – neither Beethoven nor Ravel are known for reticent piano music – without crowding the strings.

Pacht and Joyner also played in high relief, the cellist with robust and strategically lyrical bass lines, the violinist with varying tones of brilliance and finely etched atmospherics.

In the andante cantabile of the “Archduke,” Pacht and Joyner played soulfully while deftly avoiding sentinentality. In the preceding scherzo, all three musicians brought out the structural and expressive touches with which Beethoven anticipated so much of the romantic style of subsequent generations.

Fine as this reading of the “Archduke” was, it paled alongside the trio’s performance of the Ravel, clarifying the work’s complex rhythms, wide palette of tone colors and extraordinary range of stylistic references, from high-romanticism in the first movement to Basque dance in the Pantoum and an almost medieval chant in the Passacaille.

Ravel’s exuberant finale, played to the hilt, won Pacht, Joyner and Bush a well-deserved ovation.

Review: Richmond Symphony

Feb. 23, Kingsway Community Church, Midlothian

Of all the adjectives applied to classical music, “cheerful” generally ranks pretty low on the list. That says more about what classical musicians choose to program, and what their audiences choose to hear, than what composers have chosen to produce. Even the most serious of them have their sunny, witty side; and more a few than are remembered mainly for music of exuberance and good humor.

Steven Smith has built this weekend’s Richmond Symphony program around such music – a wildly diverse assortment of pieces, ranging from the second suite from Handel’s “Water Music” to Darius Milhaud’s evocation of a raucous nightclub, “Le boeuf sur le toit” (“The Bull on the Roof”) and excerpts from William Walton’s “Façade,” music written to accompany Edith Sitwell’s dada-esque poetry for what may have been the weirdest-ever after-dinner entertainment in an English country house.

The acoustics of Kingsway Community Church’s sanctuary favored winds, brass and percussion, and the placement of trumpeters Brian Strawley and Daniel Lewis and French horn players James Ferree and Roger Novak at floor level on either side of the orchestra gave their instruments extra prominence in the Handel. They exploited that sonic advantage with brilliant, expertly ornamented performances of their parts, stylishly seconded by the strings and woodwinds.

Winds and percussion were nearly as vivid a presence in the Milhaud, a ballet score driven by the frenetic dance rhythms of the Brazilian carnival and 1920s “hot” jazz, and in the satirized folk and ballroom dances of Walton’s “Façade” Suite No. 2.

The orchestra’s strings projected warmth in George Walker’s “Lyric for Strings,” a more overtly expressive cousin of Samuel Barber’s Adagio (the two pieces were written written with 10 years of each other), and captured the misty atmospherics of the central andante of Albert Roussel’s Concerto for small orchestra, Op. 34, a work from 1920s Paris that echoes composers, most audibly Debussy and Stravinsky, who had set the city’s musical tone in previous decades.

Schubert’s “Overture in the Italian Style,” D. 591, is a young composer’s game try at imitating the style of Rossini, whose operas were all the rage in early 19th-century Vienna. Smith and the band nicely balanced Schubert’s innate tunefulness with his not-quite-idiomatic overlay of Rossinian flourishes.

The program repeats at 3 p.m. Feb. 25 at Blackwell Auditorium, Randolph-Macon College, 205 Henry St., Ashland. Tickets: $22. Details: (800) 514-3849 (ETIX); http://www.richmondsymphony.com

Letter V Classical Radio Feb. 21

noon-3 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

Joseph Martin Kraus: Symphony in C minor
Basel Chamber Orchestra/Giovanni Antonini
(Alpha)

Ryan Cockerham: “Before, It Was Golden”
Er-Gene Kahng, violin
Janáček Philharmonic/Ryan Cockerham
(Albany)

Handel: Jubilate, HWV 279 (“Music for the Peace of Utrecht”)
Nicki Kennedy, soprano
William Towers, countertenor
Julian Podger & Wolfram Lattke, tenors
Peter Harvey, bass
Netherlands Bach Society/Jos van Veldhoven
(Channel Classics)

Brahms: Piano Concerto No. 2 in B flat major
Norman Krieger, piano
London Symphony Orchestra/Philip Ryan Mann
(Decca)

David Lang: “This Was Written by Hand”
Andrew Zolinsky, piano
(Cantaloupe)

Mieczyslaw Weinberg: Fantasia for cello and orchestra
Claes Gunnarsson, cello
Gothenburg Symphony Orchestra/Thord Svedlund
(Chandos)

Past Masters:
Prokofiev: Symphony No. 5 in B flat major
Cleveland Orchestra/George Szell
(Sony Classical)
(recorded 1959)

Review: Gil Shaham & Akira Eguchi

Feb. 18, University of Richmond

Violinist Gil Shaham, returning to town for a recital with pianist Akira Eguchi at the University of Richmond’s Modlin Arts Center, pulled off one of the most elusive feats in classical music: thrilling non-specialist listeners with a piece of contemporary music.

The piece was Avner Dorman’s Sonata No. 3 (“Nigunim”), which Shaham and his pianist sister, Orli, commissioned and introduced in 2011. The sonata’s title refers to a vein of Jewish song, sacred or secular, that “ascends beyond words and conveys a deeper spiritual message,” the composer writes, observing that “a Nigun sung in Yiddish will reach and affect someone who only speaks Arabic and vice versa.”

“Nigunim,” drawing on Jewish musics from Eastern Europe and the Balkans to North Africa and Central Asia, casts its material in a modern tonal language that emphasizes virtuosity and expressiveness. It is a perfect vehicle for Shaham’s fiddle technique and musicality. The violinist and pianist played with audible affection for this music, ranging idiomatically from its dance rhythms to its introspective, prayerful tunes, and earned loud cheers after its dazzling high-speed finale.

Shaham and Eguchi made nearly as persuasive a case for an even newer work, Scott Wheeler’s Sonata No. 2 (“The Singing Turk”) (2017), a sonically prismatic take on music from the “Turkish” operas that were in vogue in the 18th and 19th centuries. Wheeler casts the “Aria of Roxelana” from Paul César-Gilbert’s “The Three Sultanas” is a bittersweet soliloquy, framed by more playful takes on arias from Handel’s “Tamerlano” and Rossini’s “Il Turco in Italia.”

The program opened with Fritz Kreisler’s Praeludium and Allegro “in the Style of Pugnani,” one of the famed violinist’s bogus “discoveries” of early music that fooled even scholars in pre-historically informed times. Shaham doted on Kreisler’s deception, giving the prelude convincing faux-baroque treatment before indulging in the latter-day pyrotechnics of the allegro.

More standard fare filled the concert’s second half. Shaham began with a fluent and sonically brilliant, if not quite in current baroque fashion, rendition of J.S. Bach’s Partita No. 3 in E major, BWV 1006, last of the composer’s six great suites for solo violin.

Then, Shaham and Eguchi took on César Franck’s Sonata in A major, playing this violin-recital staple with focused tone and fine expressive range, bringing out the Wagnerian ecstasy of its allegro molto movement and the proto-impressionism of its recitative-fantasia.

Review: Berlin Philharmonic Wind Quintet

Feb. 17, Virginia Commonwealth University

The Berlin Philharmonic Wind Quintet, performing in Virginia Commonwealth University’s Rennolds Chamber Concerts series on its farewell US tour, etched in high relief several staples of the wind-quintet repertory and at least one curiosity.

The staples were Carl Nielsen’s Wind Quintet, one of the many quintets of Anton Reicha (the D major, Op. 91, No. 3) and Paul Hindemith’s “Kleine Kammermusik” (“Little Chamber Music”) No. 2.

The curiosity, at least on this side of the Atlantic, was “Five Sacred and Profane Dances” by Henri Tomasi, a French composer who wrote extensively for winds and brass.

Nielsen’s quintet, dating from 1922, serves as a kind of overture to the late period of the Danish composer’s working life, when his music became increasingly quirky, angular and harmonically adventurous. The quintet, written for his friends in the Copenhagen Wind Quintet, is couched as a conversation among the five instruments – a conversation that grows especially animated as a churchy chorale tune is run through a decidedly un-churchy set of variations.

The Berliners – flutist Michael Hasel, oboist Andreas Wittmann (doubling on English horn), clarinetist Walter Seyfarth, bassoonist Marion Reinhard and French horn player Fergus McWilliam – played the Nielsen with the fluency of long familiarity, liberally garnished with energetic spontaneity.

They conveyed much the same spirit in the Hindemith, one of the composer’s better balances of compositional rigor and good cheer, and in the Tomasi suite, a 1948 opus modeled after and expanding upon Claude Debussy’s “Danses sacrée et profane.”

Tomasi frames his sacred and profane dances with pastoral, wedding and war dances. Weirdly, his wedding dance sounds more eventful, even eruptive, than his war dance – at least it did in this performance.

Reicha was the father of the wind quintet, and a prolific parent, siring no fewer than 24 of them in nine years (1811-20). Op. 91, No. 3, dating from 1818-19, is late-classical in style, sometimes sounding like a miniaturization of a Haydn symphony. That similarity was played up in the Berliners’ exuberantly assertive reading.

Letter V Classical Radio Feb. 14

For Valentine’s Day, high romance – including his-and-hers piano concertos by Robert and Clara Schumann.

noon-3 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

Tchaikovsky: “Romeo and Juliet” Fantasy-Overture
Czech Philharmonic/Semyon Bychkov
(Decca)

Nielsen: “Hymnus amoris”
Inga Nielsen, soprano
Poul Elming & Arne Elkrog, tenors
Per Høyer, baritone
Jørgen Ditlevsen, bass
Copenhagen Boy’s Choir
Danish National Radio Choir
Danish National Radio Symphony Orchestra/Leif Segerstam
(Chandos)

Mahler: Symphony No. 5 in C sharp minor – IV: Adagietto
San Francisco Symphony Orchestra/Michael Tilson Thomas
(SFS Media)

Clara Wieck Schumann: Piano Concerto in A minor
Francesco Nicolosi, piano
Alma Mahler Sinfonietta/Stefania Rinaldi
(Naxos)

Past Masters:
Robert Schumann: Piano Concerto in A minor
Stephen Kovacevich, piano
BBC Symphony Orchestra/Colin Davis
(Philips)
(recorded 1970)

Past Masters:
Wagner: “Tristan und Isolde” – Prelude and “Liebestod”
Cleveland Orchestra/George Szell
(Sony Classical)
(recorded 1962)

Rimsky-Korsakov: “Scheherazade”
Orchestre de l’Opéra Bastille/Myung-Whun Chung
(Deutsche Grammophon)