Letter V Classical Radio Aug. 29

School’s back in at the University of Richmond, and the show returns to its regular time slot.

noon-3 p.m. EDT
1700-2000 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

Mozart: “The Marriage of Figaro” Overture
Musicaeterna/Theodor Currentzis
(Sony Classical)

Stravinsky: “Petrouchka” (1911 version)
Les Siècles/François-Xavier Roth
(Naïve)

Past Masters:
Ravel: “Rapsodie espagnole”
Cleveland Orchestra/Pierre Boulez
(Sony Classical)
(recorded 1969)

Muzio Clementi: Sonata in G minor, Op. 50, No. 3
(“Didone abbandanto – scena tragica”)
Olivier Cavé, piano
(Aeon)

Juan Crisóstomo Arriaga: Quartet No. 3 in E flat major
Quatuor Sine Nomine
(Claves)

George Walker: “Lyric for Strings”
Chicago Sinfonietta/Paul Freeman
(Çedille)

Janáček: Quartet No. 1 (“Kreutzer Sonata”)
Pavel Haas Quartet
(Supraphon)

Past Masters:
Brahms: Piano Quartet in G minor, Op. 25
(orchestration by Arnold Schoenberg)
Chicago Symphony Orchestra/Robert Craft
(Sony Classical)
(recorded 1964)

George Walker (1922-2018)

George Walker, the composer, pianist and teacher who in 1996 became the first African-American awarded the Pulitzer Prize for Music – for “Lilacs,” an orchestral song cycle setting verses from Walt Whitman’s “When Lilacs Last in the Dooryard Bloom’d” – has died at 96.

Walker, a student of Nadia Boulanger in Paris and of Rudolf Serkin at Philadelphia’s Curtis Institute of Music, could not overcome the color bar to pursue a career as a concert pianist, and turned to composition and teaching. He was the longtime chairman of the music department at Rutgers University in New Jersey, and became a mentor to generations of African-African composers.

Walker’s best-known work is “Lyric for Strings,” an orchestration of the slow movement of his String Quartet No. 1 (1946), written in memory of his grandmother, who had been a slave.

An obituary by The Washington Post’s Harrison Smith:

http://www.washingtonpost.com/local/obituaries/george-walker-first-african-american-composer-to-win-pulitzer-prize-dies-at-96/2018/08/26/0095edc8-a939-11e8-8a0c-70b618c98d3c_story.html

Letter V Classical Radio Aug. 22

1-5 p.m. EDT
1700-2100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

Telemann: Horn Concerto in D major
Alec Frank-Gemmill, horn
Swedish Chamber Orchestra/Nicholas McGegan
(BIS)

Chopin: “Fantasy on Polish Airs,” Op. 13
Jan Lisiecki, piano
NDR Elbphilharmonie Orchestra/Krzysztof Urbański
(Deutsche Grammophon)

Nielsen: Wind Quintet in A major
Diamant Ensemble
(Dacapo)

Schubert: Octet in F major, D. 803
Academy of Ancient Music Chamber Ensemble
(L’Oiseau Lyre)

Dvořák: Serenade in E major, Op. 22
Bavarian Radio Symphony Orchestra/Colin Davis
(Philips)

Samuel Coleridge Taylor: “Symphonic Variations on an African Air”
Royal Liverpool Philharmonic/Grant Llewellyn
(Argo)

Scarlatti: Sonata in F major, K. 446 (“Pastorale”)
(arrangement by Ignaz Friedman)
Joseph Moog, piano
(Onyx)

Handel: Concerto grosso in A major, Op. 6, No. 11
Academy of Ancient Music/Andrew Manze
(Harmonia Mundi)

John Adams: “Absolute Jest”
St. Lawrence String Quartet
San Francisco Symphony Orchestra/Michael Tilson Thomas
(SFS Media)

Bartók: “Dance Suite”
Chicago Symphony Orchestra/Pierre Boulez
(Deutsche Grammophon)

Aretha Franklin (1942-2018)

Aretha Franklin, the personification of soul music, and the most identifiable and influential voice in American music over the past 50 years, has died at 76.

The Memphis-born daughter of a preacher, C.L. Franklin, and initially a gospel singer, Aretha Franklin developed into a song stylist who melded rhythm and blues, jazz and various popular idioms into a sound and emotive pitch that resonates throughout this country’s – and the world’s – musical vernacular.

An obituary and outline of her remarkable career by The New York Times’ Jon Pareles:

Letter V Classical Radio Aug. 15

1-5 p.m. EDT
1700-2100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.net

J.S. Bach: “Brandenburg” Concerto No. 1 in F major, BWV 1046
European Brandenburg Ensemble/Trevor Pinnock
(Avie)

Mendelssohn: String Symphony No. 7 in D minor
Nieuw Amsterdam Sinfonietta/Lev Markiz
(BIS)

C.P.E. Bach: Trio Sonata in B minor, Wq 143
Emmanuel Pahud, flute
Lisa Batiashvili, violin
Sebastian Klinger, cello
Peter Kofler, harpsichord
(Deutsche Grammophon)

Past Masters:
Dvořák: Symphony No. 7 in D minor
Royal Concertgebouw Orchestra, Amsterdam/Colin Davis
(Philips)
(recorded 1975)

Amy Beach: Theme and Variations, Op. 80
Doriot Anthony Dwyer, flute
Manhattan String Quartet
(Koch International Classics)

Prokofiev: Violin Concerto No. 1 in D major
Frank Peter Zimmermann, violin
Berlin Philharmonic/Lorin Maazel
(Warner Classics)

Szymanowski: Sonata No. 2 in A major, Op. 21
Lucas Debargue, piano
(Sony Classical)

Vaughan Williams: “Norfolk Rhapsody” No. 1 in E minor
New Queen’s Hall Orchestra/Barry Wordsworth
(Argo)

Adalbert Gyrowetz: Symphony in D major, Op. 12, No. 1
London Mozart Players/Matthias Bamert
(Chandos)

Mozart: Violin Sonata in G major, K. 301
Gil Shaham, violin
Orli Shaham, piano
(Canary Classics)

Beethoven: Fantasia in C minor for piano, chorus and orchestra
Ronald Brautigam, piano
Eric Ericson Chamber Choir
Norrköping Symphony Orchestra/Andrew Parrott
(BIS)

Ferree tapped by Saint Paul

James Ferree, who has served as principal horn player of the Richmond Symphony since 2012, is leaving the orchestra to become principal horn of the Saint Paul Chamber Orchestra in Minnesota.

Ferree, who studied with Hermann Baumann while he was living in Germany, went on to attend and graduate from the Juilliard School. He played in the New World Symphony in Miami before coming to Richmond.

He gave his final local performance with pianist Russell Wilson on Aug. 9 in the Richmond Symphony Summer Series.