Letter V Classical Radio Sept. 1

7-9 p.m. EDT
2300-0100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.org

Arthur Sullivan: “The Merchant of Venice” Suite
City of Birmingham Symphony Orchestra/Vivian Dunn
(Klavier)

Samuel Coleridge-Taylor: Romance in G major, Op. 39
Rachel Barton Pine, violin
Encore Chamber Orchestra/Daniel Hege

(Çedille)

Ernst von Dohnányi: Sextet in C major, Op. 37
Kálmán Berkes, clarinet
Radovan Vlatković, French horn
András Schiff, piano
Takács Quartet
members
(Decca)

Borodin: Piano Quintet in C minor
Alexander Mogilevsky, piano
Andrey Baranov & Geza Hosszu-Legocky, violins
Nora Romanoff, viola
Jing Zhao, cello

(Warner Classics)

Dvořák: Symphony No. 7 in D minor
Cleveland Orchestra/Christoph von Dohnányi
(Decca)

‘Synchrony’ at the symphony

Eric W. Dolan, writing for the PsyPost website, outlines research, published in Scientific Reports, suggesting that “the shared experience of live music creates a remarkable physiological bond among audience members, revealing the profound impact of music on the human body.”

In the “passive settings” of symphony concerts, “where listeners are not consciously interacting with one another, the shared experience of the music could lead to a kind of physiological entrainment among audience members,” Dolan writes.

This “interpersonal synchrony,” observed in social interactions such as conversation, “arises generally, in diverse contexts. Here, I have turned to a novel field, the responses to concerts measured in audiences, where we also applied the methods of synchrony research,” says Wolfgang Tschacher, professor emeritus at the University of Bern in Switzerland and author of the study.

Tschacher and his team tested the hypothesis in Berlin concerts, finding that the heart rates, breathing and “skin conductance” of 695 concertgoers “were all significantly synchronized across the audience” during performances.

Dolan’s article:

http://www.psypost.org/scientists-observe-a-remarkable-synchronization-effect-among-classical-music-listeners/

The Scientific Reports article:

http://www.nature.com/articles/s41598-024-67455-2

(via http://artsjournal.com)

Letter V Classical Radio Aug. 25

7-9 p.m. EDT
2300-0100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.org

Franz von Suppé: “Poet and Peasant” Overture
Vienna Philharmonic/Zubin Mehta
(Sony Classical)

Chopin: Piano Concerto No. 2 in F minor
Martha Argerich, piano
National Symphony Orchestra/Mstislav Rostropovich

(Deutsche Grammophon)

Mahler: “Lieder eines fahrenden Gesellen” (“Songs of a Wayfarer”)
Christian Gerhaher, baritone
Orchestre symphonique de Montréal/Kent Nagano

(Sony Classical)

Brahms: Scherzo in C minor (from “F.A.E.” Sonata)
Leonidas Kavakos, violin
Yuja Wang, piano

(Decca)

Stravinsky: “L’histoire du soldat” (“The Soldier’s Tale”) Suite
Richard Stoltzman, clarinet
Lucy Chapman Stoltzman, violin
Richard Goode, piano

(RCA)

John Adams: “John’s Book of Alleged Dances”
Kronos Quartet
(Nonesuch)

Letter V Classical Radio Aug. 18

7-9 p.m. EDT
2300-0100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.org

Daniel Auber: “Fra Diavolo” Overture
Cincinnati Pops/Erich Kunzel
(Telarc)

Mozart: Piano Concerto No. 12 in A major, K. 414
Fazil Say, piano
Zürich Chamber Orchestra/Howard Griffiths

(Naïve)

Dvořák: Quartet in F major, Op. 96 (“American”)
Smetana Quartet
(Testament)

Mieczysław Weinberg: Fantasia, Op. 52
Pieter Wispelwey, cello
Les Métamorphoses/Raphaël Feye

(Evil Penguin)

Schumann: Symphony No. 2 in C major
New York Philharmonic/Leonard Bernstein
(Sony Classical)

Mahler & MTT upscale Schubert

YouTube’s algorithm has served me a 2019 performance of Mahler’s string orchestration of Schubert’s Quartet in D minor, D. 810 (“Death and the Maiden”) by Michael Tilson Thomas conducting the New World Symphony, the Miami ensemble that he founded as a post-graduate finishing school for young orchestral musicians.

This caught my eye because the New World Symphony sends many of its alumni to orchestras of the size and pay grade of the Richmond Symphony, and later on to major orchestras. A number of the players in this five-year-old performance are undoubtedly first-chairs somewhere today. Also because Tilson Thomas, while lauded for his Mahler, has not built his reputation on interpretations of earlier “core” Austro-German composers such as Schubert. What would he make of this classically structured but romantically charged score?

A lot, it turns out: If you’ve heard the Mahler “Death and the Maiden,” it was almost certainly played by a chamber orchestra. Tilson Thomas musters a complement of strings large enough to populate a Mahler symphony. (The Schubert arrangement, made in 1896, is roughly contemporaneous with Mahler’s first three symphonies.)

A beefier ensemble adds expressive gravitas and warmer, richer sonority (especially in bass lines); and, conducted attentively as it is here, gives greater prominence to Mahler’s articulative and dynamic retouchings. I heard details in this performance that I had never heard before.

Forty minutes well spent:

Review: Richmond Chamber Players

Aug. 11, Bon Air Presbyterian Church

Olivier Messiaen’s “Quartet for the End of Time” has a meteorological history in these parts. Its instrumentation – violin, clarinet, cello and piano – isn’t one of the standard chamber-music configurations, so the piece is most often heard at festivals. Most are in the summer, which in the southeastern US is a season of sometimes spectacular thunderstorms.

The Messiaen has met heavy weather several times in Virginia. In what became something of a regional legend, a performance at the Hampden-Sydney Music Festival took place during a violent electrical storm. When the Richmond Chamber Players presented the work in 1998, concertgoers who arrived on a hot summer day left the concert to face an apocalyptic cloudscape with torrential rain to follow.

No such weather adventure when violinist Susy Yim, clarinetist David Lemelin, cellist Ryan Lannan and pianist John Walter played Messiaen’s quartet in the second program of this summer’s Richmond Chamber Players’ Interlude 2024 series. It was a mild summer afternoon when we went in and still was when we came out.

External atmospherics may enhance this musical experience, but aren’t needed. Messiaen’s stark yet otherworldly score, inspired by the revelation of St. John (a “mighty angel” declaring “that there should be time no longer”) in the Book of Revelations, creates its own atmosphere, an environment of rarified tonality – lots of thin strands produced in highest registers of the instruments – in which musical materials are developed without conventional linearity. The usual components of musical movement – melody, harmonic progression, rhythm – are sublimated or absent in a score that is more inhabited than followed.

The four musicians in this performance sounded intent on giving the piece as much expression, dimension and space as it can accommodate. Fine threads of sound seemed to give off auras. Contemplative sections had a uncanny stillness, enhancing the contrast with the score’s violent episodes. Silences were as impactful as sounds.

The “Quartet for the End of Time” is meant to be an extraordinary experience. This performance was.

Two much shorter works preceded the Messiaen: Charles Wuorinen’s Trio for bass instruments and Zhao Tian’s “Viaje.”

Double-bassist Kelly Ali, bass trombonist Scott Cochran and tuba player Conrad Shaw negotiated Wuorinen’s trio capably, coaxing some textural transparency and rhythmic punch out of what could easily turn into a muddle of low, rumbling sound. They couldn’t avoid the score’s Jurassic quality – large reptiles lumbering across the savanna – so they played it up.

“Viaje” (“Voyage”) is the product of a Chinese-American composer’s trip to Spain, a “thrill ride” inspired by the legend of El Cid and his uneasy relationship with his daughters. El Cid is portrayed by a cello, played here by Emma Cary; the daughters by a flute, played by Mary Boodell. The piano, played by Walter, is more than an accompanying instrument; it’s charged with enlarging the soundscape of music that all but begs to be orchestrated.

The exchanges between Cary and Boodell were characterful, Walter’s accompaniment-plus colorful and dynamic.

The Richmond Chamber Players’ Interlude 2024 series concludes with a program of Mozart, Britten and Franck, 3 p.m. Aug. 18 at Bon Air Presbyterian Church, 9201 W. Huguenot Road. Tickets: $25. Details: (804) 272-7514; http://richmondchamberplayers.org

Letter V Classical Radio Aug. 11

7-9 p.m. EDT
2300-0100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.org

Boccherini: Guitar Quintet in D major, G. 448 (“Fandango”)
Rolf Lislevand, guitar
José de Udaeta, castanets
Les Concert des Nations/Jordi Savall

(AliaVox)

Manuel Ponce: Theme, Variations and Finale
Jukka Savijoki, guitar
(BIS)

Schubert: Sonata in A minor, D. 821 (“Arpeggione”)
(John Williams & Christopher Gunning arrangement)
John Williams, guitar
Australian Chamber Orchestra/Richard Tognetti

(Sony Classical)

Louise Farrenc: Nonet in E flat major, Op. 38
Consortium Classicum
(Divox)

Bizet: Symphony No. 1 in C major
Royal Philharmonic/Charles Munch
(Hänssler Profil)

Letter V Classical Radio Aug. 4

7-9 p.m. EDT
2300-0100 UTC/GMT
WDCE, University of Richmond
90.1 FM
http://wdce.org

Kurt Weill: “Little Threepenny Music”
London Symphony Orchestra/Michael Tilson Thomas
(Sony Classical)

Bernstein: “Facsimile”
Baltimore Symphony Orchestra/David Zinman
(Decca)

Bohuslav Martinů: “Estampes”
Prague Radio Symphony Orchestra/Tomáš Netopil
(Supraphon)

Prokofiev: “Overture on Hebrew Themes”
Ensemble Contraste
(Alpha)

Osvaldo Golijov: “The Dreams and Prayers of Isaac the Blind”
David Orlowsky, clarinet
Vogler Quartett

(Sony Classical)

Kodály: “Dances of Galánta”
Chicago Symphony Orchestra/Neeme Järvi
(Chandos)

August calendar

Classical performances in and around Richmond, with selected events elsewhere in Virginia and the Washington area. Program information, provided by presenters, is updated as details become available. Adult ticket prices are listed; senior, student/youth, military, group and other discounts may be offered. Service fees may be added.

Aug. 1 (7:30 p.m.)
Neptune’s Park, 3001 Atlantic Ave., Virginia Beach
Virginia Symphony Orchestra
Morihiko Nakahara conducting

“Symphonic Summer Games”
program TBA

free
(757) 892-6366
http://virginiasymphony.org

Aug. 3 (5 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Anton Arensky: Piano Trio No. 1 in D minor, Op. 32
Aubrey Williams, violin
Lindsay McKenna, cello
Ashley Lee, piano

Caroline Shaw: “Plan and Elevation (The Grounds of Dumbarton Oaks)”
Amelia Cannavo & Ella Golden, violins
David Lawrence, viola
Monica Grady, cello

Shostakovich: Quartet No. 3 in F major, Op. 73
Lyra String Quartet
$30 (concert); $115 (concert & dinner)
(540) 839-5018
http://garthnewel.org

Aug. 3 (3 p.m.)
River Pavilion, Kennedy Center, Washington
Emily Tsai, oboe
Ashley Booher, clarinet
Ko Sugiyama, violin
Johanna Nowik, viola
Charles Nilles, double-bass

Prokofiev: Quintet in G major, Op. 39
Sibelius: Duo in C major
for violin & viola
Miguel del Aguila: “Absent Lights”
free (seating limited)
(800) 444-1324
http://kennedy-center.org

Aug. 4 (3 p.m.)
Bon Air Presbyterian Church, 9201 W. Huguenot Road, Richmond
Richmond Chamber Players
Shostakovich: Quartet No. 9 in E flat major, Op. 117
Bartók: Quartet No. 4

$25
(804) 272-7514
http://richmondchamberplayers.org

Aug. 4 (3 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Mozart: Quartet in B flat major, K. 589
Lucy Nemeth & Aubrey Williams, violin
David Lawrence, viola
Lindsay McKenna, cello

Debussy: Piano Trio in G major
Ella Golden, violin
Ellamay Mantie, cello
Ashley Lee, piano

Roberto Sansuini: “Red Shift”
Ella Golden, violin
Ellamay Mantie, cello
Ashley Lee, piano

Mendelssohn: Quartet in F minor, Op. 80
Jessica Tovey, violin
Amelia Cannavo, violin
Hudson Maness, viola
Monica Grady, cello

$30 (concert); $75 (concert & picnic)
(540) 839-5018
http://garthnewel.org

Aug. 4 (8 p.m.)
Kennedy Center Concert Hall, Washington
Ukrainian Freedom Orchestra
Keri-Lynn Wilson conducting

Victoria Vita Polevá: “Freedom”
Marko Komonko, violin
Beethoven: Symphony No. 9 in D minor (“Choral”) (sung in Ukrainian)
Olga Bezsmertna, soprano
Nataliia Kukhar, mezzo-soprano
Valentyn Dytiuk, tenor
Andrii Kymach, bass-baritone
The Washington Chorus
Ukrainian Freedom Chorus

$28-$137
(800) 444-1324
http://kennedy-center.org

Aug. 7 (7 p.m.)
Grace Covenant Presbyterian Church, 1624 Monument Ave., Richmond
August Musicales:
Brass ensemble, organ & percussion
Ryan Tibbets conducting
Tim Zimmerman: “A Might Fortress Is Our God”
Hieronymus Praetorius: “Cantate Domino”
John Cheetham: Chorale Prelude, “Lord of All Hopefulness”
Rimsky-Korsakov: “Mlada” – “Procession of the Nobles”
Vaughan Williams: “Rhosymedre”
Craig Phillips: “Prelude and Exultation”

donation requested
(804) 359-2463
http://grace-covenant.org

Aug. 8 (7 p.m.)
Kennedy Center Concert Hall, Washington
Afghan Youth Orchestra
Zohra Orchestra
Ahmad Sarmast conducting

Western & Afghan works TBA
free
(800) 444-1324
http://kennedy-center.org

Aug. 9 (7:30 p.m.)
Aug. 11 (2 p.m.)
Aug. 15 (2 p.m.)
Aug. 17 (7:30 p.m.)
The Barns at Wolf Trap, 1635 Trap Road, Vienna
Wolf Trap Opera
Geoffrey McDonald conducting

Kevin Puts & Mark Campbell: “Silent Night”
Keely Futterer (Anna Sørensen)
Ricardo Garcia (Nikolaus Sprink)
Andrew Gilstrap (Lieutenant Horstmayer)
Demetrious Sampson Jr. (Crown Prince, son of Kaiser Wilhelm II)
Martin Luther Clark (Jonathan Dale)
Kyle White (William Dale)
Wm Clay Thompson (Father Palmer)
Ryan Wolfe (Lieutenant Gordon)
Joseph Calzada (the British Major)
Jacob Scharfman (Lieutenant Audebert)
Charles H. Eaton (Ponchel)
Le Bu (the General)
Tivoli Treloar (Madeleine)
Tonya & Ryan McKinny, stage directors

in English, German, French, Italian & Latin, English captions
$59-$99
(703) 255-1868
http://wolftrap.org

Aug. 10 (5 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Three Notch’d Road Baroque Ensemble
“English Baroque Structures: Dances and Ballads of Britain”
Thomas Baltzar: “John Come Kiss Me” Variations
Robert Burns: “The Soldier’s Return”
William McGibbon: “When she came ben she bobed”
trad. (Irish): “St. Patrick’s Day” – “Paddy Whack” – “Port Patrick”
anon. (Duke of Perth’s Drummond Castle Manuscript): “Tullochgorum-Reel of Tulloch”
anon. (“Peacock’s Favorite Collection of Tunes”): “Gillan na Drover”
trad. (Welsh): “All through the night” – “Ar Hyd y Nos”
John Blow: “Musick’s Handmaid” – “Mortlack’s Ground”
Purcell: “Lillibulero or ‘A New Irish Tune’ ”
trad. (Irish): “Christmas Eve” Reel
anon.: “Voyage to Virginia”
Purcell & John Playford: ”Dancing-Master” – “Hole in the Wall”
Niel Gow: Scottish dances
Gow: “Lady Madelina Sinclairs” – “Jenny Nettles” – “Miss Nisbet of Dirleton’s” – “The High Road to Linton”

$30 (concert); $115 (concert & dinner)
(540) 839-5018
http://garthnewel.org

Aug. 11 (3 p.m.)
Bon Air Presbyterian Church, 9201 W. Huguenot Road, Richmond
Richmond Chamber Players
Charles Wourinen: Trio for brass instruments
Zhao Tian: “Vlaje”
Messiaen: “Quartet for the End of Time”

$25
(804) 272-7514
http://richmondchamberplayers.org

Aug. 11 (3 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Three Notch’d Road Baroque Ensemble
“Italian Baroque Structures: Operatic Beginnings”
Dario Castello: Sonata Prima
Monteverdi: “Ab aeterno ordinata sum”
anon.: “Lamento di Tristano” – Saltarello
Giacomo Carissimi: “Luciferm caelestis olim”
Heinrich Biber: “Sonata Representativa”
for violin & continuo
Monteverdi: “Sì dolce e’l tormento”
G.A. Pandolfi Mealli: Sonata in D major for violin & continuo, Op. 3, No. 4 (“La castella”)
Monteverdi: “Ego flos campi”
anon.: “Durezze et liguture or Consonanze Stravaganti”
anon. (Gregorian chant): “Monastic ‘Alleluia’ for the Feast of the Assumption
Biber: Ciacona in D major (“Kremsier”)

$30 (concert); $75 (concert & picnic)
(540) 839-5018
http://garthnewel.org

Aug. 13 (7:30 p.m)
Paramount Theater, 215 E. Main St., Charlottesville
The Charlottesville Band
director TBA
Doug Schneider, Dan Barrale, Jessica Wiseman & Rita Dove, vocals
Michael Elswick, saxophone
Ray Caddell, trumpet

“The Great American Songbook Meets Big-Band Jazz”
free
(434) 979-1333
http://theparamount.net

Aug. 14 (7 p.m.)
Grace Covenant Presbyterian Church, 1624 Monument Ave., Richmond
August Musicales:
Vox Humana
William Bradley Roberts directing
Christopher Reynolds, organ

Walton: “Jubilate Deo”
David Hurd: “Love Bade Me Welcome”
Bob Chilcott: “God So Loved the World”
Marques Garrett & Tom Trenney: “Rise and Shine”
Holst: “I Love My Love”
William Bradley Roberts: “I Sought My God”
Gershwin: “Someone to Watch Over Me”
Franck: Cantabile
Alice Parker: “God Is Seen”
Jake Runestad: “The Peace of Wild Things”
Seth Houston: “Emerald Stream”
Rollo Dilworth: “In Time of Silver Rain”
Walter Robinson: “Harriet Tubman (Come on up)”
Ken Burton: “A Prayer”
Parker: “I Got Shoes”
Roberts: “Over My Head”

donation requested
(804) 359-2463
http://grace-covenant.org

Aug. 15 (7:30 p.m.)
Neptune’s Park, 3001 Atlantic Ave., Virginia Beach
Virginia Symphony Orchestra
Helen Martell conducting
BJ Griffin, vocals & cello

“Wedding Bells and Pachelbel”
program TBA

free
(757) 892-6366
http://virginiasymphony.org

Aug. 16 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Chorus, Orchestra & soloists
Carsten Schmidt conducting

Handel: “Dixit Dominus”
Handel: “Ode for Queen Anne”
Handel: “Alexander’s Feast”
(selections)
Handel: “Il Trionfo del Tempo e del Disinganno” (selections)
Handel: “Water Music” Suite
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 17 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Beethoven: Sonata in C sharp minor, Op. 27, No. 2 (“Moonlight”)
André Caplet: “Conte fantasque”
Roberto Sierra: Piano Sonata No. 14 (“Moonlight”)
Henry Mancini: “Moon River”
(Zachary Wadsworth arrangement)
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 17 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Chorus & Orchestra
Carsten Schmidt conducting

Haydn: “Il Ritorno di Tobia” Overture
Poulenc: “3 Apollinaire Chansons”
Eric Guinivan: “Jiya Learns to Dance”
Philippe de Vitry: 2 motets
Roberto Sierra: “Songs from the Diaspora”
Stravinsky: “Petrushka”
for 2 pianos & percussion (Brian Smith arrangement) (premiere)
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 17 (5 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Jeannette Fang, Genevieve Fei-wen Lee, Qing Jiang & Ingrid Keller, pianos
Rachmaninoff: Suite No. 1, Op. 5 (“Fantaisie-Tableaux”)
Ravel: “Daphnis et Chloé” Suite No. 2
(Vyacheslav Gryaznov arrangement)
J.S. Bach: Orchestral Suite No. 3 in D major, BWV 1068 (Franz Bader arrangement)
$30 (concert); $115 (concert & dinner)
(540) 839-5018
http://garthnewel.org

Aug. 18 (3 p.m.)
Bon Air Presbyterian Church, 9201 W. Huguenot Road, Richmond
Richmond Chamber Players
Mozart: Quartet in D major, K. 575
Britten: “Phantasy” Quartet
Franck: Cello Sonata in A major
(after Violin Sonata in A major)
$25
(804) 272-7514
http://richmondchamberplayers.org

Aug. 18 (10:30 a.m.)
Blackfriars Playhouse, 10 S. Market St., Staunton
Staunton Music Festival:
artists TBA
Vincent D’Indy: “Suite dans le style ancien”
anon.: “Sumer is icumen in”
Roberto Sierra: “Octeto en cuatro tiempos”
Ludwig Spohr: Double String Quartet No. 1

free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 18 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Chorus, Orchestra & soloists
Carsten Schmidt, fortepiano & direction

Schubert: “Marche militaire” in D major, D. 733
Fanny Mendelssohn Hensel: “Das Jahr” – “June”
Felix Mendelssohn: Piano Sextet in D major, Op. 100 – III: Menuetto; IV: Allegro vivace
Schumann: “Liederkreis,” Op. 39
Beethoven: Symphony No. 6 in F major (“Pastoral”) – I: Allegro ma non troppo
(Johann Nepomuk Hummel arrangement)
Beethoven: “Choral Fantasia” in C minor, Op. 80
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 18 (3 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Jeannette Fang, Genevieve Fei-wen Lee, Qing Jiang & Ingrid Keller, pianos
Saint-Saëns: “Variations on a Theme of Beethoven,” Op. 35
Brahms: “Variations on a Theme by Haydn,” Op. 56b
Lowell Liebermann: “Variations on a Theme by Mozart,” Op. 42
Vivaldi: “The Four Seasons” – “Summer”
(Margarita Zelenaia arrangement)
$30 (concert); $75 (concert & picnic)
(540) 839-5018
http://garthnewel.org

Aug. 19 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Jan Dismas Zelenka: Trio Sonata No. 5 in F major
Janáček: Concertino
for piano & chamber ensemble
Antonio Pasculli: “Omaggio à Bellini”

free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 20 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Richard Strauss: 2 songs
Gérald Moussa Darmanin: “The Sudden Lightness”
Comtessa de Dia: “Troubadour song: A chantar”
Eric Wolfgang Korngold: Suite for piano left-hand & strings

free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 20 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
artists TBA
Rameau: “Pièces de Concert” – “La Lapoplinière,” “Tambourin”
Élisabeth-Claude Jacquet de la Guerre: 2 airs
for voices and ensemble
Frescobaldi: “Canzon post il commune” for organ
Roberto Sierra: “Concierto Nocturnal” for harpsichord & ensemble
Louise Farrenc: Piano Quintet No. 1 – I: Allegro
Buxtehude: Ciacona in E minor, BuxWV 160,
for organ
J. S. Bach: Concerto in C Major, BWV 1061
, for two harpsichords & strings
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 21 (7 p.m.)
Grace Covenant Presbyterian Church, 1624 Monument Ave., Richmond
August Musicales:
Rosette String Quartet
Caroline Shaw: “Valencia”
Mozart: Quartet in G major, K. 387
Shaw: “Plan and Elevation (The Grounds of Dumbarton Oaks)”

donation requested
(804) 359-2463
http://grace-covenant.org

Aug. 21 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Barbara Strozzi: 2 madrigals, Op. 1
Judith Shatin: “Marvelous Pursuits”
for vocal quartet & piano four-hands
Mozart: “Ch’io mi scordi di te?” for soprano, fortepiano & orchestra
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 21 (3 p.m.)
Central United Methodist Church, 14 N. Lewis St., Staunton
Staunton Music Festival:
Roberto Sierra, composer & speaker
other artists TBA
Sierra: “Mambo 7/16”
Sierra: “Flower Pieces”
for flute & harp
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 21 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Orchestra & soloists
Carsten Schmidt conducting

Roberto Sierra: “Mambo Metállico”
Debussy: “Danses sacrée et profane”
Sierra: “Mano e Mano”
De Falla: “7 Spanish Folk Songs”
(Zachary Wadsworth arrangement)
Beethoven: Symphony No. 2 in D major
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 22 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Mendelssohn: 2 “Songs without Words” for harp
Mendelssohn: “Folksongs,” Opp. 48 & 50 (selections)
Mendelssohn: String Quintet No. 1 in A major, Op. 18
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 22 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Syaunton
Staunton Music Festival:
Festival Orchestra & Chorus
Carsten Schmidt conducting

Purcell: “The Fairy Queen” (excerpts)
Kaija Saariaho: “The Tempest Songbook” (selections)
Zachary Wadsworth: “Describe Adonis” (premiere)
Tchaikovsky: “Romeo and Juliet” Fantasy-Overture
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 23 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Mozart: Quintet in E flat major, K. 452, for piano & winds
Arvo Pärt: “Tabula Rasa” for 2 violins & strings
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 23 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Orchestra, Chorus & soloists
Carsten Schmidt conducting

Rameau: Les Boréades” (selections)
François Couperin: Concert No. 4 in E minor
Michel Lambert: “Tout l’univers”
Marin Marais: Prelude in C minor
Antoine Forqueray: “Jupiter”
Charles Dieupart: Suite in G major – Prelude & Gigue
Claude Balbastre: Violin Sonata No. 1 in G major
(excerpt)
Honoré D’Ambruys: “Le doux silence”
Lully: Te Deum

$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 24 (4 p.m.)
River Road Church, Baptist, River & Ridge roads, Richmond
Choirs of Boys & Girls of National Cathedral
Michael McCarthy directing

program TBA
free; tickets required via http://eventbrite.com
(804)
http://rrcb.org/e-carl-free,an-concert-series/

Aug. 24 (noon)
First Presbyterian Church, 100 E. Frederick St., Staunton
Staunton Music Festival:
artists TBA
Johann Friedrich Fasch: Concerto in G major for 2 oboes da caccia, 2 violas, 2 bassoons, strings & continuo
George Benjamin: “Viola, Viola” for 2 violas
Dvořák: String Quintet No. 3 in E flat major, Op. 97
free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 24 (3 p.m.)
Central United Methodist Church, 14 N. Lewis St., Staunton
Staunton Music Festival:
artists TBA
Heinrich Schütz: 2 madrigals, Op. 1
Johann Friedrich Fasch: Quartet in B flat major
Vivaldi: Cantata, “Nisi Dominus,” RV 608

free
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 24 (7:30 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Orchestra, Chorus & soloists
Carsten Schmidt conducting

Gershwin: “Cuban” Overture
Esteban Salas: “Cándido Corderito”
Louis Moreau Gottschalk: “Souvenir de la Havane”
Leo Brouwer: Guitar Quintet
(excerpts)
trad.: “El Manisero” (Tania León arrangement)
Hans Werner Henze: “El Cimarrón” (excerpts)
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 24 (5 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Teresa Ling & Maureen Nelson, violins
Fitz Gary & Evelyn Grau, violas
Isaac Melamed & Rachel Young, cellos

Boccherini: String Sextet in F minor, Op. 23, No. 4
Tchaikovsky: String Sextet in D minor, Op. 70 (“Souvenir de Florence”)

$30 (concert); $115 (concert & dinner)
(540) 839-5018
http://garthnewel.org

Aug. 24 (6:30 p.m.)
Nationals Park, 1500 S. Capitol St. SE, Washington
Washington National Opera
conductor TBA
Puccini: “Turandot” (Christopher Tin completion)
cast TBA
in Italian, English captions
free
(800) 444-1324
http://kennedy-center.org

Aug. 25 (10:30 a.m.)
Blackfriars Playhouse, 10 S. Market St., Staunton
Staunton Music Festival:
Festival Orchestra & soloists
Carsten Schmidt conducting

J.S. Bach: “Brandenburg” Concerto No. 3 in G major, BWV 1048
Zachary Wadsworth: “Ground on C-F-F-E-E”
for winds & percussion (premiere)
J.S. Bach: Cantata, “Schweigt stille, plaudert nicht,” BWV 211 (“Coffee Cantata”)
$16-$22
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 25 (4 p.m.)
Trinity Episcopal Church, 214 W. Beverly St., Staunton
Staunton Music Festival:
Festival Orchestra, Chorus & soloists
Carsten Schmidt conducting

J.S. Bach: Mass in B minor, BWV 232
$22-$38
(540) 800-6012
http://stauntonmusicfestival.org

Aug. 25 (3 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Teresa Ling & Maureen Nelson, violins
Fitz Gary & Evelyn Grau, violas
Isaac Melamed & Rachel Young, cellos

Richard Strauss: “Capriccio” – String Sextet
Schubert: String Quintet in C major, D. 956

$30 (concert); $75 (concert & picnic)
(540) 839-5018
http://garthnewel.org

Aug. 30 (7:30 p.m.)
Lake Matoaka Amphitheater, 121 Ukrop Way, Williamsburg
Aug. 31 (7:30 p.m.)
Yorktown Historic Freight Shed, 331 Water St.
Sept. 1 (7:30 p.m.)
Chesapeake City Park, 900 City Park Drive
Sept. 3 (7:30 p.m.)
Neptune’s Park, 3001 Atlantic Ave., Virginia Beach
Virginia Symphony Orchestra
Brandon Eldredge conducting

“Once Upon a Symphony”
Copland: “Rodeo” – “Buckaroo Holiday”
Handel: “Royal Fireworks Music” – “La Réjouissance”
Saint-Saëns: “Danse macabre”
Tchaikovsky: “Swan Lake” Suite
Berlioz: “Symphonie fantastique” – IV: “March to the Scaffold”
Beethoven: Symphony No. 4 in B flat major – IV: Allegro ma non troppo
Mitch Leigh: “Man of La Mancha” Theme
Lalo Schifrin: “Mission Impossible” Theme
John Williams: “Jurassic Park” Theme
Stevie Wonder: “Stevie Wonder Medley”
John Williams: “A Tribute to John Williams”

free
(757) 892-6366
http://virginiasymphony.org

Aug. 31 (5 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Garth Newel Piano Quartet
Maureen Nelson, violin

Haydn: Quartet in D minor, Op. 33, No. 1
Mendelssohn: Piano Trio No. 1 in D minor, Op. 49

$30 (concert); $115 (concert & dinner)
(540) 839-5018
http://garthnewel.org

Sept. 1 (3 p.m.)
Garth Newel Music Center, Garth Newel Lane at US Route 220, Hot Springs
Garth Newel Piano Quartet
Maureen Nelson, violin

Debussy: Violin Sonata in G minor
Dvořák: Piano Quintet in A major, Op. 81

$30 (concert); $75 (concert & picnic)
(540) 839-5018
http://garthnewel.org

Sept. 1 (8 p.m.)
West Lawn, US Capitol, Washington
National Symphony Orchestra
Enrico Lopez-Yañez conducting
Christylez Bacon, guest star

Annual Labor Day Concert
program TBA

free
(800) 444-1324
http://kennedy-center.org