Review: Paley Music Festival

Alexander Paley, piano
Jan. 10, St. Luke Lutheran Church

In the second and final program of the winter installment of pianist Alexander Paley’s Richmond music festival, Paley chose three sonatas from the dawn, high noon and twilight of the romantic era, all three of which cast piano tone and rhetoric in boldface.

The most familiar of the three, Beethoven’s Sonata in F minor, Op. 57, the “Appassionata,” was preceded by a Beethoven miniature, the “Rondo alla ingharese quasi un capriccio” in G major, Op. 129, better-known as “Rage over a Lost Penny.” Published in 1828, a year after Beethoven’s death (thus its late opus number), this “Hungarian Rondo,” dating from the mid-1790s, is accented in the classical style of Haydn, with an extra garnish of bumptiousness.

The rondo was an unusual prelude to the “Appassionata,” one of Beethoven’s stormiest and most intensely expressive piano works. Paley played its drama to the hilt, to great effect in the first movement, which he cast as an epic musical soliloquy. The pianist emphasized the introspective quality of the central slow movement, making its contrast with the explosive, headlong finale all the more startling.

From the throbbing – not to say pile-driving – heart of romanticism came Liszt’s “Après une Lecture du Dante: Fantasia quasi Sonata,” an epic tone poem of 1849 inspired by Dante’s “The Divine Comedy.”

Paley drew a fittingly sharp contrast between the two parts of the piece: An thunderous introductory section evoking the torments of hell, and an elaborated chorale representing heaven. He played the former with a forcefulness that taxed the sonic capacity of St. Luke Church’s baby grand, and traced an expressive arc from extreme delicacy to ecstatic transcendence in the chorale.

Paley closed his program with Alexander Scriabin’s Sonata No. 5, Op. 53. Like many of Scriabin’s mature works, this sonata aspires to be more than music. The composer described the piece as a “big poem” and provided a verse epigraph to the music: “I call you to life, O mysterious forces!/Drowned in the obscure depths/Of the creative spirit, timid/Shadows of life, to you I bring audacity!”

The pianist audibly pounced on the “mysterious forces” and “audacity,” milking every conceivable bit of sonic drama from the score while playing its more subtle, coloristic elements as if the sonata were a product of the French impressionist composers.

Following the announced program, Paley played Alexander Siloti’s transcription of Ravel’s Kaddish, dedicating this musical treatment of the Jewish mourning hymn to the memory of Catherine Patterson, a longtime officer and promoter of the Paley Music Festival and other arts ventures in the Richmond area, who died in November.

Letter V Classical Radio Jan. 12

As the spring semester begins at the University of Richmond, the show moves to a new time on Sunday evening.

7-9 p.m. EST
0000-0200 UTC/GMT
WDCE, University of Richmond
90.1 FM

Jan Dismas Zelenka: Trio Sonata No. 4 in G minor
Heinz Holliger & Maurice Bourgue, oboes
Klaus Thunemann, bassoon
Klaus Stoll, double-bass
Jonathan Rubin, lute
Christiane Jaccottet, harpsichord

Jan Jirásek: “Missa Propria”
Boni Pueri Boys Choir/Jiří Skopal

J.S. Bach: Passacaglia and Fugue in C minor, BWV 582
Olivier Latry, organ
(La Dolce Vita)

Joseph-Nicolas-Pancrace Royer: Pièces de clavecin, Book 1: “Le vertigo”
Jean Rondeau, harpsichord

Berlioz: “Symphonie fantastique”
Les Siècles/François-Xavier Roth
(Harmonia Mundi)

Review: Paley Music Festival

Alexander Paley & Pei-wen Chen, piano four-hands
Jan. 9, St. Luke Lutheran Church

“Poor Czerny,” Alexander Paley sighed shortly before he and his wife and piano partner, Pei-wen Chen, played Carl Czerny’s four-hands piano arrangement of Beethoven’s Symphony No. 9 in D minor.

Paley wasn’t lamenting the arrangement, but the reputational baggage that Czerny carries among pianists, many (most?) of whom nurse a lifelong grudge against the creator of the exercises at which they labored as youngsters.

Czerny was a master piano pedagogue – teacher of Liszt and Schubert, among many others – and was the most prominent student of Beethoven and source of some of the earliest published reminiscences of the composer. His keyboard mastery and immersion in Beethoven both inform the rarely performed arrangement of the Ninth that Paley and Chen revived in the first of two programs in the winter installment of Paley’s Richmond music festival.

The Ninth Symphony, written for what in the 1820s would have been a very large orchestra with vocal soloists and chorus in its “Ode to Joy” finale, is as far removed from piano music as any work that Beethoven composed. This arrangement, as close to a transcription as Czerny could manage, is not a successful transformation of the score into piano music.

Czerny’s treatment effectively conveys the Ninth’s portent, notably in the first movement and the turbulent recitative of the finale, and reveals many of the score’s internal voicings more clearly than many orchestral performances. It is less effective in framing Beethoven’s big tunes and long-lined lyricism, and sounds rather muddled in some of the more complex vocal-orchestral sections of the finale.

Paley and Chen, playing the Czerny arrangement for the first time in public, gave it a very measured reading, slow in the scherzo and in the march tune of the finale, very slow in the adagio, which would have seemed endless if they hadn’t played it with such intensity. Their concentration was impressive, their stamina awesome.

Alexander Paley plays solo-piano works by Beethoven, Liszt and Scriabin at 7:30 p.m. Jan. 10 at St. Luke Lutheran Church, 7757 Chippenham Parkway. Donation requested. Details: (804) 665-9516;

Letter V Classical Radio Jan. 8

The Beethoven year – the 250th anniversary of his birth – is upon us, and we’ll start the celebration with a sampling of the works of a composer who propelled the transition from classicism to romanticism in music.

noon-3 p.m. EST
1500-1800 UTC/GMT
WDCE, University of Richmond
90.1 FM

Beethoven: “Leonore” Overture No. 3
Tonhalle Orchestra, Zurich/David Zinman
(Sony Classical)

Beethoven: Violin Sonata in G major, Op. 30, No. 3
Pamela Frank, violin
Claude Frank, piano
(Music & Arts)

Beethoven: Quartet in C minor, Op. 18, No. 4
Artemis Quartet

Beethoven: Triple Concerto in C major
Stefan Vladar, piano & direction
Isabelle van Keulen, violin
Julian Steckel, cello
Wiener KammerOrchester

Beethoven: Symphony No. 4 in B flat major
Gewandhausorchester Leipzig/Riccardo Chailly

Beethoven: Cello Sonata in A major, Op. 69
Ralph Kirshbaum, cello
Shai Wosner, piano

Beethoven: Piano Concerto No. 4 in G major
Ronald Brautigam, piano
Norrköping Symphony Orchestra/Andrew Parrott

HIPsters take on the ‘Ring’ cycle

The historically informed performance (HIP) movement, which initially confined itself to music of the 17th and 18th centuries, has gradually moved forward in time to embrace music of the romantics and even some early modern scores. Historically informed Mahler, Ravel, Stravinsky? Gershwin?! Yes, and much of it is pretty convincing.

Rarely, however, have the HIPsters tried to scale that summit of romanticism, the mature stage works of Richard Wagner.

Now Concerto Köln, the German period-instruments ensemble, and conductor Kent Nagano have embarked on a project to perform Wagner’s “Ring” cycle of four music-dramas on the instruments and in the style of the late 19th century, Norman Lebrecht reports on his Slipped Disc blog:

Nagano to conduct Ring on period instruments

Alexander Scherf, artistic director of Concerto Köln, says the musicians will discard accumulated wisdom on Wagner performance and approach the “Ring” cycle afresh, as if it were “an unknown manuscript from the 18th century.”

The project, while sure to provoke outrage and/or derision in some Wagnerian quarters, has considerable musicological underpinning, with the participation of the Institute of Early Music at the Cologne Academy of Music, the Research Institute for Music Theatre at the University of Bayreuth and the Institute for Speech Science at the Martin Luther University of Halle-Wittenberg in what has been dubbed “Wagner-Reading,” extensive research into the composer’s guidance on the performance of his works and his exploration of instruments capable of producing the sounds he desired.

That exploration led to the creation of the Wagner tuba, whose range falls between those of French horns and trombones, an instrument still commonly used in Wagner productions. Other innovations, such as using larger, louder “Ritter” (“knight”) violas and the alto oboe in place of the English horn, have not endured, Michael Stallknecht notes in an article for Süddeutsche Zeitung newspaper:

Concerto Köln and Nagano plan to give a semi-staged performance of “Das Rheingold,” the first work in the cycle, in 2021 at the Cologne Philharmonie.

Vandalism at Bach’s church in Leipzig

A New Year’s Eve act of vandalism at the Thomaskirche (St. Thomas Church) in Leipzig, Germany, where Johann Sebastian Bach served as cantor in the early 18th century, has destroyed two stained-glass windows and more than 20 art-nouveau panels. It was the second attack on the church during the holiday season, Leipzig police tell the Deutsche Welle news service:


January calendar

Classical performances in and around Richmond, with selected events elsewhere in Virginia and the Washington area. Program information, provided by presenters, is updated as details become available. Adult single-ticket prices are listed; senior, student/youth, military, group and other discounts may be offered.

In and around Richmond: Pianist Alexander Paley performs in two recitals in the winter edition of his Richmond music festival, joining his wife and duo partner, Pei-wen Chen, in Carl Czerny’s piano four-hands arrangement of Beethoven’s Ninth Symphony on Jan. 9, and playing sonatas of Beethoven, Liszt and Scriabin on Jan. 10, both at St. Luke Lutheran Church. . . . Two of the candidates auditioning to become the next music director of the Richmond Symphony visit in the coming month: Ankush Kumar Bahl, leading a Masterworks program of Bruckner, Mozart and John Adams, with Anthony McGill, principal clarinetist of the New York Philharmonic, as guest soloist, Jan. 11 at the Carpenter Theatre of Dominion Energy Center and Jan. 12 at Mount Vernon Baptist church in Glen Allen, as well as a Symphony Pops program, “Journey to the Cosmos,” Jan. 18 at the Carpenter Theatre; and Laura Jackson, currently music director of the Reno (NV) Philharmonic, leading a Masterworks program of Mahler, Tchaikovsky and Michael Gandalfi, with guest cellist Julian Schwarz, Jan. 31 at Midlothian High School and Feb. 1 at the Carpenter Theatre. . . . The Jefferson Baroque ensemble performs in a free program on Jan. 25 in the Gellman Room of the Richmond Public Library’s downtown main branch.

Noteworthy elsewhere: The National Symphony Orchestra is joined by pianist Yefim Bronfman and guest conductor Gemma New in music of Beethoven, Holst and Salina Fisher, Jan. 16, 18 and 19 at Washington’s Kennedy Center. . . . Two of classical music’s most stellar siblings visit the Music Center at Strathmore in the Maryland suburbs of DC: Pianist Orli Shaham joining the National Philharmonic in all-Mozart program on Jan. 18 and 19, and violinist Gil Shaham joining the Baltimore Symphony Orchestra in Mendelssohn’s Violin Concerto, on a Jan. 26 program also featuring works by Shostakovich and Haydn. . . . Scotland’s Dunedin Consort, with mezzo-soprano Meg Bragle, present an all-Bach program of orchestral works and solo cantatas, Jan. 20 at the Library of Congress’ Coolidge Auditorium in DC. . . . Two leading young British cellists perform in the Washington area: Kian Soltani in a recital of Stravinsky, Beethoven, Franck and Arvo Pärt, Jan. 20 at the Kennedy Center, and Sheku Kanneh-Mason, joining Marin Alsop and the Baltimore Symphony Orchestra in a program of Saint-Saëns, Dvořák and Florence Beatrice Price, Jan. 30 at Strathmore. . . . Patricia Kopatchinskaja, the violinist famed for her innovative programming, is joined by cellist Jay Campbell in a recital mixing early and modern music, Jan. 21 at the Kennedy Center. . . . Scottish conductor Douglas Boyd leads the Virginia Symphony Orchestra, with guest violinist Elena Urioste, in a program of Stravinsky, Vaughan Williams, Ravel and Berlioz, Jan. 24 at Christopher Newport University’s Ferguson Arts Center in Newport News, Jan. 25 at Chrysler Hall in Norfolk and Jan. 26 at Sandler Arts Center in Virginia Beach. . . . Two more violin stars play programs of Beethoven sonatas: Midori, performing with pianist Jean-Yves Thibaudet, Jan. 25 at Strathmore, and Anne-Sophie Mutter, with pianist Lambert Orkis, Feb. 1 at the Kennedy Center. . . . British early-music master Richard Egarr and guests inaugurate a reproduction of the harpsichord that George Washington brought to Mount Vernon in 1793 for his granddaughter, Nelly Custis, in a Jan. 26 recital at the Kennedy Center. . . . Virginia Opera opens its new production of Rossini’s “La Cenerentola” (“Cinderella”), Jan. 31, Feb. 2 and 4 at Harrison Opera House in Norfolk, with further performances in February at the Center for the Arts at George Mason University in Fairfax and the Carpenter Theatre in Richmond. . . . The Cleveland-based early music troupe Apollo’s Fire brings its “Return to Sugarloaf Mountain: an Appalachian Gathering” to Roanoke’s Jefferson Center on Jan. 31.

Jan. 1 (noon)
Herter Hall, Garth Newel Music Center, 403 Garth Newel Lane, Hot Springs
Garth Newel Piano Quartet
“Primary Colors”
Debussy: Piano Trio in G major
Anton Arensky: Piano Trio in D minor, Op. 32
$25 (concert), $62 (concert & brunch)
(540) 839-5018

Jan. 4 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Baltimore Symphony Orchestra
Nicholas Hersh conducting
“Amadeus,” film with live orchestral accompaniment
(877) 276-1444 (Baltimore Symphony box office)

Jan. 5 (7:30 p.m.)
Hofheimer Loft, 2818 W. Broad St., Richmond
Classical Revolution RVA:
artists TBA
“Classical Incarnations at the Hof”
program TBA
donation requested
(804) 342-0012

Jan. 8 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra Pops
The Washington Chorus
Andy Brick conducting
“Game ON!”
works TBA from video games
(800) 444-1324

Jan. 9 (7:30 p.m.)
St. Luke Lutheran Church, 7757 Chippenham Parkway, Richmond
Alexander Paley Music Festival:
Alexander Paley & Pei-wen Chen, piano four-hands
Beethoven: Symphony No. 9 in D minor (“Choral”) (piano four-hands arrangement by Carl Czerny)
donation requested
(804) 665-9516

Jan. 9 (8 p.m.)
Jan. 10 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra Pops
conductor TBA
Diana Ross, guest star
(800) 444-1324

Jan. 10 (7:30 p.m.)
St. Luke Lutheran Church, 7757 Chippenham Parkway, Richmond
Alexander Paley Music Festival:
Alexander Paley, piano
Beethoven: “Rondo alla ingharese quasi un capriccio” in G major, Op. 129 (“Rage over a Lost Penny”)
Beethoven: Sonata in F minor, Op. 57 (“Appassionata”)
Liszt: “Après une lecture du Dante: Fantasia quasi Sonata”
Scriabin: Sonata No. 5, Op. 53
donation requested
(804) 665-9516

Jan. 11 (8 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Jan. 12 (3 p.m.)
Mount Vernon Baptist Church, 11220 Nuckols Road, Glen Allen
Richmond Symphony
Ankush Kumar Bahl conducting
John Adams: “The Chairman Dances”
Mozart: Clarinet Concerto in A major, K. 622
Anthony McGill, clarinet
Bruckner: Symphony No. 7 in E major
$10-$82 (Richmond); $20 (Glen Allen)
(800) 514-3849 (ETIX)

Jan. 12 (3 p.m.)
Sandler Arts Center, 201 S. Market St., Virginia Beach
Virginia Symphony Orchestra
Benjamin Rous conducting
“Happy Birthday, Beethoven”
works TBA by Beethoven
(757) 892-6366

Jan. 12 (3 p.m.)
The Barns at Wolf Trap, 1635 Trap Road, Vienna
Will Liverman, baritone
Ken Noda, piano
Schubert: “Die Winterreise,” D. 911
(877) 965-3872 (

Jan. 16 (7:30 p.m.)
Williamsburg Community Chapel, 3899 John Tyler Highway
Williamsburg Symphony Orchestra
James Blanchly conducting
Ethel Smyth: “The Prison” Chorale Prelude
Barber: “Knoxville, Summer of 1915”
Kathryn Mueller, soprano
Dvořák: Symphony No. 8 in G major
(757) 229-9857

Jan. 16 (7 p.m.)
Jan. 18 (8 p.m.)
Jan. 19 (3 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Gemma New conducting
Salina Fisher: “Rainphase”
Beethoven: Piano Concerto No. 4 in G major
Yefim Bronfman, piano
Holst: “The Planets”
women’s voices of University of Maryland Concert Choir
(800) 444-1324

Jan. 16 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Young Concert Artists:
Do-Hyun Kim, piano
J.S. Bach: Partita No. 2 in C minor, BWV 826
Mozart: Sonata in G major, K. 283
Bartók: Sonata, Sz. 80
Chopin: 12 études, Op. 25
(800) 444-1324

Jan. 17 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Vocal Arts DC:
Rosa Feola, soprano
Iain Burnside, piano
works TBA by Donizetti, Verdi, Liszt, Respighi, Paolo Tosti
(800) 444-1324

Jan. 18 (8 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony Pops
Ankush Kumar Bahl conducting
“Journey to the Cosmos”
works TBA by Holst, John Williams, others
(800) 514-3849 (ETIX)

Jan. 18 (8 p.m.)
Jan. 19 (3 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
National Philharmonic
Piotr Gajewski conducting
Mozart: “Il re pastore” Sinfonia
Mozart: Piano Concerto No. 20 in D minor, K. 466
Orli Shaham, piano
Mozart: Symphony No. 41 in C major, K. 551 (“Jupiter”)
(301) 582-5100

Jan. 20 (8 p.m.)
Coolidge Auditorium, Library of Congress, East Capitol Street at First Street NE, Washington
Dunedin Consort
John Butt directing
Meg Bragle, mezzo-soprano
J.S. Bach: Orchestral Suite No. 2 in B minor, BWV 1067
J.S. Bach: Cantata, “Widerstehe doch der Sünde,” BWV 54
J.S. Bach: “Brandenburg” Concerto No. 4 in G major, BWV 1049
J.S. Bach: Cantata, “Wergnügte Ruh, beliebte Seelenlust,” BWV 170
J.S. Bach: “Brandenburg” Concerto No. 5 in D major, BWV 1050
free; tickets required (via
(202) 707-5502

Jan. 21 (6 p.m.)
Vlahcevic Concert Hall, Singleton Arts Center, Virginia Commonwealth University, Park Avenue at Harrison Street, Richmond
Chris Chaffee, flute
program TBA
(804) 828-1169

Jan. 21 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Fortas Chamber Music Series:
Patricia Kopatchinskaja, violin
Jay Campbell, cello
anon. (Winchester Troper, 11th century): Alleluia
Jörg Widmann: 24 duos for violin and cello – XXI. “Valse bavaroise;” XXIV. Toccatina all’inglese (presto possibile)
Orlando Gibbons: Fantasia
Ravel: Sonata for violin and cello
Iannis Xenakis: “Dhipli Zyia”
Guillaume de Machaut: Balade 4 (“Biauté qui”)
György Ligeti: “Hommage à Hilding Rosenberg”
Kodály: Duo for violin and cello
(800) 444-1324

Jan. 22 (7:30 p.m.)
Terrace Theater, Kennedy Center, Washington
Washington Performing Arts:
Kian Soltani, cello
Julio Elizade, piano
Stravinsky: “Suite Italienne”
Beethoven: Cello Sonata in A major, Op. 69
Arvo Pärt: “Fratres”
Franck-Delsart: Sonata in A major
(202) 785-9727 (Washington Performing Arts)

Jan. 22 (8 p.m.)
Kennedy Center Concert Hall, Washington
Shanghai Chinese Orchestra
Tang Muhai conducting
works TBA by Tan Dun, Luo Xiaoci, Huang Lei, Fang Dongqing, Jiang Ying, others
(800) 444-1324

Jan. 22 (8 p.m.)
The Anthem, 901 Wharf St. SW, Washington
National Symphony Orchestra
women’s voices of University of Maryland Concert Choir
Gemma New conducting
Holst: “The Planets”
(800) 444-1324

Jan. 23 (7:30 p.m.)
The Mansion at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Paul Galbraith, guitar
Antonio Meneses, cello
Brazilian classical works TBA
(301) 582-5100

Jan. 24 (7:30 p.m.)
Cathedral of the Sacred Heart, Laurel Street at Floyd Avenue, Richmond
Virginia Commonwealth University Health Orchestra
Will Pattie conducting
Alán Saucedo Estrada, cello
Pablo Talamante, tenor
program TBA
donation requested; proceeds benefit cathedral’s New Pipe Organ Campaign
(804) 359-5651

Jan. 24 (8 p.m.)
Ferguson Arts Center, Christopher Newport University, Newport News
Jan. 25 (8 p.m.)
Chrysler Hall, 215 St. Paul’s Boulevard, Norfolk
Jan. 26 (2:30 p.m.)
Sandler Arts Center, 201 S. Market St., Virginia Beach
Virginia Symphony Orchestra
Douglas Boyd conducting
Stravinsky: “Fireworks”
Vaughan Williams: “The Lark Ascending”
Ravel: “Tzigane”
Elena Urioste, violin
Berlioz: “Symphonie fantastique”
(757) 892-6366

Jan. 24 (8 p.m.)
Jan. 25 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Christoph Eschenbach conducting
Dvořák: “Carnival” Overture
Dvořák: Violin Concerto in A minor
Christian Tetzlaff, violin
Schumann: Symphony No. 2 in C major
(800) 444-1324

Jan. 25 (11 a.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony LolliPops
Chia-Hsuan Lin conducting
Kayleigh Kim, violin
“It’s a Symphony Sing-Along!”
vintage pop and light classical songs TBA
$10 (child), $20 (adult)
(800) 514-3849 (ETIX)

Jan. 25 (2 p.m.)
Gellman Room, Richmond Public Library, First and Franklin streets
Jefferson Baroque
program TBA
(804) 646-7223

Jan. 25 (8 p.m.)
Williamsburg Lodge, 310 S. England St.
Williamsburg Symphony Orchestra
conductor TBA
Ann Hampton Callaway, guest star
“Cabaret and Cocktails”
program TBA
(757) 229-9857

Jan. 25 (7:30 p.m.)
Academy Center of the Arts, Lynchburg
Lynchburg Symphony Orchestra
David Glover conducting
“Broadway by Request”
program TBA
(434) 846-8499

Jan. 25 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Washington Performing Arts:
Midori, violin
Jean-Yves Thibaudet, piano
Beethoven: Violin Sonata in A major, Op. 12, No. 2
Beethoven: Violin Sonata in E flat major, Op. 12, No. 3
Beethoven: Violin Sonata in A major, Op. 47 (“Kreutzer”)
(202) 785-9727 (Washington Performing Arts)

Jan. 26 (3:30 p.m.)
Old Cabell Hall, University of Virginia, Charlottesville
UVa Chamber Music Series:
John Mayhood, piano
Haydn: Sonata in C minor, Hob. XVI:20
Schumann: “Carnaval,” Op. 9
Schubert: Sonata in B flat major, D. 960
(434) 924-3376

Jan. 26 (7 p.m.)
Center for the Arts, George Mason University, Fairfax
Jeffrey Siegel, piano & speaker
“Keyboard Conversations: Commemorating Rachmaninoff and Debussy”
(888) 945-2468 (

Jan. 26 (2 p.m.)
Terrace Theater, Kennedy Center, Washington
Richard Egarr, harpsichord
Rowan Pierce, soprano
William Carter, theorbo
works TBA by Purcell, Handel, John Blow, Johann Caspar Kerll, others, from Nelly Custis’ Song Book at Mount Vernon
(800) 444-1324

Jan. 26 (3 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Baltimore Symphony Orchestra
John Storgårds conducting
Shostakovich: Symphony No. 9 in E flat major
Mendelssohn: Violin Concerto in E minor
Gil Shaham, violin
Haydn: Symphony No. 103 in E flat major (“Drumroll”)
(877) 276-1444 (Baltimore Symphony box office)

Jan. 30 (7 p.m.)
Jan. 31 (11:30 a.m.)
Feb. 1 (8 p.m.)
Kennedy Center Concert Hall, Washington
National Symphony Orchestra
Manfred Honeck conducting
Mason Bates: “Resurrexit”
Mozart: Piano Concerto No. 24 in C minor, K. 491
Nikolai Lugansky, piano
Dvořák: Symphony No. 8 in G major
(800) 444-1324

Jan. 30 (7:30 p.m.)
Studio K, Kennedy Center, Washington
Mason Bates’ KC Jukebox:
Juan Atkins, electronica
program TBA
(800) 444-1324

Jan. 30 (8 p.m.)
Music Center at Strathmore, 5301 Tuckerman Lane, North Bethesda, MD
Baltimore Symphony Orchestra
Marin Alsop conducting
Florence Beatrice Price: “The Oak”
Saint-Saëns: Cello Concerto No. 1 in A minor
Sheku Kanneh-Mason, cello
Dvořák: Symphony No. 7 in D minor
(877) 276-1444 (Baltimore Symphony box office)

Jan. 31 (7 p.m.)
Midlothian High School, 401 Charter Colony Parkway
Feb. 1 (8 p.m.)
Carpenter Theatre, Dominion Energy Center, Sixth and Grace streets, Richmond
Richmond Symphony
Laura Jackson conducting
Michael Gandolfi: “The Garden of Cosmic Speculation” (excerpts)
Tchaikovsky: “Variations on a Rococo Theme”
Julian Schwarz, cello
Mahler: Symphony No. 1 in D major (“Titan”)
$10-$20 (Midlothian); $10-$82 (Richmond)
(800) 514-3849 (ETIX)

Jan. 31 (8 p.m.)
Feb. 2 (2:30 p.m.)
Feb. 4 (7:30 p.m.)
Harrison Opera House, 160 E. Virginia Beach Boulevard, Norfolk
Virginia Opera
Adam Turner conducting
Rossini: “La Cenerentola” (“Cinderella”)
Alyssa Martin (Angelina [Cinderella])
David Walton (Don Ramiro)
Joseph Lattanzi (Dandini)
Dale Travis (Don Magnifico)
Kyle Lang, stage director
in Italian, English captions
(866) 673-7282

Jan. 31 (7:30 p.m.)
Shaftman Performance Hall, Jefferson Center, 541 Luck Ave. SW, Roanoke
Apollo’s Fire
Jeannette Sorrell directing
“Return to Sugarloaf Mountain: an Appalachian Gathering”
(540) 345-2550

Feb. 1 (3 p.m.)
Kennedy Center Concert Hall, Washington
Washington Performing Arts:
Anne-Sophie Mutter, violin
Lambert Orkis, piano
Beethoven: Violin Sonata in A minor, Op. 23
Beethoven: Violin Sonata in F major, Op. 24 (“Spring”)
Beethoven: Violin Sonata in A major, Op. 47 (“Kreutzer”)
(202) 785-9727 (Washington Performing Arts)